As a fat guy who is an old driver, most of them have experienced it, and have lingering fears.
However, an Australian film ranked second among them has attracted my intense attention.
Because, I have never heard of it!
Australian horror films have a unique style. "Wolf Creek", "Horror Ruins" and "Clinical Fright" all have very good impressions.
And this movie called "Deadly Love" became my slip through the net, I really can't forgive myself.
In a sultry early morning, I was slightly tired. After watching it for 10 minutes, I immediately fell in love with this "exploiting" film.
"Exploitation" movies often describe the themes to an unbelievable and sensational level, such as in terms of sex, in terms of revenge, in terms of Electra and Oedipus. The film presents this inability in an unexpected and extremely deliberate way. Estimated.
To speak of human beings, what "exploitation" movies and mill movies want is the word "cool"!
Seduce your attention with a super-large scale, rape your nerves with behaviors beyond ordinary people’s understanding, let you take off your defenses in violent thrilling eroticism, and finally it is dispensable, but it is indeed the dominant thought that exists, swinging. Step into your brain, form a closure, and leave a memory.
The main story of "Deathing Love" is that Brandt, a young boy who lost his father due to a car accident, is at the lowest point in his life.
His mother couldn't forgive his driving error for causing the car accident.
He couldn't forgive himself. Whenever he saw his haggard mother, he could only use marijuana and alcohol to numb himself by self-harm.
One day, Laura, a dull girl from the same school, begged Brandt to be her prom partner.
But Brandt, who has a girlfriend, refused.
On the night of the prom, the disruptive incident of the explosion burst into the air.
Laura's father kidnapped Brandt.
The dilapidated and isolated hut was decorated like a dance party. Laura put on a satin dance skirt, her father's suit and leather shoes, and a woman with a perforated scar on her forehead was sitting next to her, who looked like a withered woman.
The weird horror atmosphere skyrocketed.
Laura tells Brandt about the boys in her life, from the little boy to the young boy, the last one is him, Brandt, at Laura's high school prom, he is her memorial.
Violent exploitation stings into your eye.
Laura has a strong Electra plot, and his father obeyed his words, doting to his bones.
Knife pinboards, forks draw hearts on the body, and crazy salt!
In order to prevent Brandt from yelling out of control, they brought the medicine to his throat, and he could only make a faint hoarse voice.
There was a crazy laugh on one side, and a low and vague howl of pain on the other.
The most ruptured section of the film is the pinnacle of the electric drill that turns violent drama.
In order to control Brandt, the father and daughter used an electric drill to drill holes in their heads. The sound of the drill hitting the skull, the bone debris flying across the screen, the ear-piercing is accompanied by pleasure, and the fear is accompanied by cathartic satisfaction.
There is more than that. The hole is drilled for the purpose of pouring water into it, to control the brain palsy...
Laura was born with a hand, and the hole was not big enough, so his father did it for him, and staged a second eye-opening. Of drilling violence.
It is extremely frightening to think about the fact that the father and daughter opened the basement of the house, and there are actually several naked men like wild beasts inside.
Yes, they are some of the boys in Laura's book, and they are now her pets.
And Brandt will be next.
Telling you the possible consequences of fear in advance, and then imposing the course of action, doubles the fear and worry.
If you think "Deadly Love" is an exploitative film that relies entirely on blood to show off eroticism, abnormal love, and violence, you are wrong.
The film actually adds a secondary plot to this main story to set off the theme.
On the other side of this violent private ball, the school's prom is coming as scheduled.
Brandt's buddies have an appointment with the cool gothic girl Maya as a partner.
As soon as the boy arrived at Meiya's house, he noticed the anomaly. Meiya's parents must take pictures of the two before letting them leave, claiming to be safe.
Meiya, like Brandt, is in extreme depression. Addicted to marijuana and alcohol. He doesn't want to go home, he gets his hands on the boy at the prom, and is irritable to other people.
Can't wait to numb myself with sex in the car.
When she came home, she was exhausted, she needed this, she needed to be unable to think.
It turns out that at the beginning of the film, the mysterious boy who caused Brandt's car accident is Meiya's brother. He has disappeared. He escaped from Laura's atrocities and met Brandt halfway, causing Brandt's car accident.
The disappearance of Meiya's brother caused his parents to overprotect him. This makes Meiya extremely depressed.
Meiya and Laura’s parents are two extremes. While pampering to Electra, while protecting to resentment.
The interweaving of the two dances was the wanton physical violence on one side and the devastating self-harm on the other side.
The two waves of violence intertwined and collided, leading the story to a climax.
The climax is an escalation of violence and resistance, revenge! On the way Laura decides to kill Brandt's mother and girlfriend, the two meet in a narrow way! A kick of the gas pedal!
It has to be said that Robin McLeavy, the actor who played Laura in the film, gave people a pleasant surprise. The degree of perversion is almost equal to the heroine in the Oscar classic "Ten Days in Danger".
At the climax of the film, on a hot road, she stepped on high heels, dressed in red dance clothes, holding a bloody knife, and singing [Not pretty enough], exuding the purest female resistance.
The women in "Deathing Love" have a naked female clan display. Many women in the film have obvious control over men.
Whether in violence, mentality, or physical, they actively and naturally occupy men. As if everything is reasonable.
The male characters in the film are weak, insignificant, and low-minded.
At the end of the film, Brandt returned home, and the two embraced and ended with his mother's forgiveness.
This terrible love is not only love, but also affectionate love.
And is the loved one necessarily happy?
Laura, Maya, and even Brandt, what do you think of them being alienated under the influence of love?
Backstage replied, fatal love, fat brother sent a rare masterpiece of exploitation.
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