From the 1980s to the 1990s, there were two maverick music trends in Manchester. The world jokingly called the "Madchester" (Madchester). It feels so good that crazy and talented people across the ocean draw nourishment from this kind of thing to get it. For Manchester, this is much more than a short-lived music genre. At that time, Manchester City was full of disillusionment, but also suffered from the double nuisance of the violent subculture of football hooligans and the IRA bomb, and the music injected a cohesive force into the whole city. This is a cultural genetic mutation. In the soil that supports such mutations, the names of those labels, clubs, bands, and producers as an irreplaceable absolute existence have now become in the various music landmarks of Manchester City. A revolutionary meaning that continues to change the souls of Manchester and the attracted.
Rather than using a band documentary (Happy Division, Happy Monday, New Order, etc.) to describe, it is better to say that "24 Hours of Carnival Party" extracts some key factors and characters that seem to be the role of the play, such as the talented producer Martin Hannett, such as the factory , Such as the Manor Club, such as Tony's blood book label declaration——
"All bands have their music and the freedom to get out at any time."
Every doctrine and every style has an inseparable relationship with the place where it occurs, some occur through gestation, and some through transmission. As just ended some time ago, a 45-day black hole tour jointly carried out by Mei Zhiyong from China and... In their respective works of art, they are completely free and irresponsible. They are accommodating terminator. Music and sound, visuals and performances are blown away by the powerful anger of each of them when they make public appearances. Every necessary means will be blown away. Suck away, use the used and reshaped ones, and deliver pure praise to a chaotic and beautiful life." They make the wandering audience feel that when they are not here, they are really strong here.
And those places that support these tours, the organizers, sponsors, and producers behind them, a beautiful gathering that is bluntly summarized as the "industry chain", and those places that make their voices happen, the long list of tour venues is It is an eternal listener. They do everything possible to make it happen, even record, spread, and crush every piece of flesh. Looking back at the land of our motherland, many musicians also adopt a streamlined and direct way to feed their works to their audiences. As mentioned above, various choices of how to happen, especially for the audience, belong to The category of creation. So to a certain extent, different from some conventional labor service industries, music is a collective creation, but it also has the logical attribute of "getting melons and beans".
(I was listening to the album on the orange cover, I was in a daze, and I admired it from the bottom of my heart)
It is worth mentioning that the director of the film, Michael Winterbottom, is also the director of the controversial "Nine Songs". Not only is he unique in the editing of the shots, including the storytelling, but also some strange scenes of cute or bloody leftovers are interspersed with it. The film looks like a gift carefully made after careful consideration of the needs and preferences of the recipient.
But the film does not focus on the band as much as similar films, so I don’t think it is the kind of self-appreciation film for fans only. Through the subtle description of the background, it is accompanied by the fear of bombs. The desire for dance music, bands, labels, audiences, fans, venues, producers, etc. What kind of fantasy do they support? Maybe after reading it, we can talk about how many bubbles are in disguise in contemporary society under the business landscape, and how many truths are lonely and appreciated.
Or chat about this
Fly all the way to the end until I see God
and
Fly directly to see God
Is there a difference?
Next door movie · MAO show May
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