In fact, the Nazi master is the name that I think fits the movie best. Although the barrage is full of bad news from the original party, I think the adaptation of the movie has a special charm.
This is the story of a domineering grandfather played by a beautiful boy and Magneto, who is a military officer (this sentence is inspired purely from an old man’s sentence: boy, you are playing with fire). A high school student accidentally discovered the fugitive Nazi around him and threatened him with evidence of his identity. Telling the true story to myself, the two fell in love and killed each other. In the end, the old man was found to have committed suicide. The young man graduated and continued with the concept taught by the old man. If the end of the teenage crazy murder is filmed like the original, it may be very happy, but that scene will be similar to ordinary Hollywood movies.
The most classic scene is probably that the rickety old man put on the uniform that the boy gave him, and unconsciously raised his arm at the boy’s order...Finally, he released his inner soul, so he would love the cat to give it away. Entering the oven, at the same time, the boy killed the bird with a basketball...Here, Grandpa Magneto’s acting skills are really good. The appearance is like an old man’s rickety and rigid, but his heart is always meticulous and flexible, as if he is still a tough and upright officer... The threats between the two of them were even nothing but fear. The boy threw away the old man’s fingerprints early in the nightmare, and the old man’s safe did not exist at the beginning.
At the end of the film, the boy used it flexibly: if you want to really control a person, you can keep him alive. The silhouette of the counselor who flees in a hurry is like the moral of the end. What about the performance? I even think that the original demonization of the Nazis is exaggerated due to political stance. What's interesting is that both the war criminals and the victims, after experiencing the cruelty, they all chose to watch comedies and laughed out loud.
What I don’t understand is the joy of learning that the boy’s grades are declining, and the joy of the old man supervising the boy’s studies. Is it just the pleasure of control or the planning of the boy’s future? Why do you want to show that boys have no sex for girls, and tramps have sex for the elderly? (I realized this after seeing the director)
There is a barrage saying that Bradland Flo is the man who beats the X-Men, and doesn't look at who the director is, a man who has contracted for the X-man and his descendants!
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