F48: "Private Buyer" ~ Director: Olivier Assayas ~ American girl in France, a private buyer driving a small motorcycle, contact with all kinds of big-name clothing and accessories, only for employers, twin brothers just Passing away in France, the comparison between the foreign country, the loss of relatives, the working environment and real life, the key girl also has the ability to touch foreign spirits. All these combined together, the director and screenwriter can tell the story well~ French director Olivier Ye. Asayas, Maggie Cheung’s former husband, the director of the film "Clean" ~ a famous French director, to be honest, I don’t think there is anything outstanding about this film. I know that the director wants to radiate a lot, but he really didn’t mention it. In terms of ideas, those associations can be there, but it is necessary to know the director’s fame before deliberately thinking about it. The points reserved by the director are not difficult to find, but he did not make these points in the film like a knot. That kind of tight connection is getting tighter and tighter, and the romance inherent in France is loose. Or, we are accustomed to a certain mode, and really want to use another mode to tell, as the audience, there must be a process of adjusting the rhythm ~ starring Christine. Stewart, looking at this movie is very similar to the role she played last time in Sils Maria. It turns out that the director is also the same. In the two movies, her style is almost the same. I really like her unintentional and Shuai Zhen, but in these two films, the director should give her the possibility of a little change~ In "Billy Lynn", the role of Billy's sister is very suitable for Christine. Ang Lee is really good at picking an actor. In "Lee", the depressed Christine is very good [Applause] ~ And Christine in the two films of Assayas, her original character has been over-interpreted, how many directors have to shoot "The Fantasy of the Boys" "Drifting" is the kind of natural associations between true and false. How easy is it to say, how close is the level of directors?! ~ In this film, the director sometimes uses a fixed lens to shoot moving objects, like a small motorbike in motion, driving in the direction of the lens, disconnecting, and then a fixed lens, and then opening again. Several shots are connected together, and there is a feeling of backspace repetition in the middle, which lengthens the driving distance, and at the same time reflects the heroine’s incomprehensibility and panic~ Sometimes, the director will use a quick sweep through the coherent mirror feeling. It's like sweeping across the aisle from this door to another exit. In the moving lens, in the space swept, you will find the feeling of screens. The resistance in the fast movement is also the mood. It can be seen that French directors are more thoughtful, and like this kind of small passages. The soundtrack of the film becomes more exciting as it goes to the back. After the heroine gets off the train, I really hope I can do it with just one ear. I heard it, but there are a lot of familiar ones, but I have heard it countless times, but I don’t know who it is. It’s really stupid. [beat]
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