After watching it, I had a whim, what would it be like to change this movie into a Japanese girl manga? I can almost imagine those lines, shots, and ink on the white paper that outline the beautiful jaws and wide-open eyes. Who should I paint? Ryoko Yamagishi or Reiko Shimizu? In the English countryside, hound riders gather, and everyone will start fox hunting. It's a pity that it's a black and white film, so I can only make up for your black hat, red riding trousers and white breeches. With a neigh, Grant turned his head and was attracted by the energetic girl riding on the saddle to tame the horse. Next, the two ran away and went for a walk in the fields. Grant and Fontaine clasped their four claws and performed a very distorted scene of a red panda fight, both cute and weird. Did you feel lucky when Grant played? This degree is too difficult to grasp. To be between the hooligans and the little boy to bully the little girl, but also to bring out the passionate and unruly? I go, it's too difficult. I just feel that Fangdon's boredom is not acting.
This strange tease is really complicated. On the one hand, we understand that Grant is interested in Fontaine at this time, but the reality is too different from his sophisticated appearance. On the other hand, Fontaine is also interested in him. Otherwise, she would be cautious with her tutor, would not clip his newspaper clippings in the book, nor would he accept the invitation of girls who disliked to go to church just to get along with Grant. But in the face of such frivolous courtship, the girl's anger away from it is completely understandable and predictable. Fontaine said to Grant with the pride of a girl, if you were my horse, I would teach you the rules. This is really cute, and it naturally reminds us of Wu and Taizong discussing horse training. So far, the character of Vondon has not shown weakness, or any possibility that she will be in Grant's pocket. But the next scene, the next scene is here. This is the most intriguing and most memorable scene of this film. Fontaine hurriedly walked into his courtyard and said goodbye to Grant. In view of their hard to call harmonious country walks, if this farewell is successful, it may be a farewell. Fontaine will live her safe and comfortable life back, and Grant may turn his head and start another romance, after all, there are so many admiring eyes around him. By the big window of the old house, elderly parents are discussing their own sweetheart. Fontaine was stunned on the courtyard path. The most familiar and dear voice came, and the girl's heart sank into the abyss. The parents are discussing that their daughter may not be able to marry. My mother was worried, but my father was plausible. The old lady is also very promising, and everyone respects her. At this moment, disappointment, anxiety, shame, anger, and fear must bite her heart like a group of ants. Seeing her stop, Grant came over curiously, and couldn't help laughing after hearing the discussion. The next moment, the girl raised her beautiful head and greeted Grant. Like two swans crossing their necks, like the wind blowing over a flower tree pushing two clusters of flowers to one place, she impulsively and angrily kissed the nearest man next to her, and then calmly walked into the house. At the next table, she will proudly announce to her old parents that she has a suitor. This paragraph is really, too interesting. In summary, does Fontaine love Grant anyway? Or to be or not to be? The girl suddenly realizes that she is at a juncture in her life, is she going back to the old life or to the new world? Sometimes, the opportunity to choose is so sudden. With the courage of a cub, she recklessly loves the new and dislikes the old. Her nitpicking of the person next to her was crushed by reality, and she desperately needed an outlet to relieve her anxiety. In "Si Fan", Chen Miaochang sang: Seeing other couples wearing brocade and Chuanluo, people can't help but become anxious. Go down the mountain to find a younger brother, let him hit me, call me, scold me, laugh at me. He is unwilling to become a Buddha and does not recite Amitabha Prajna Prajna. At the dinner table, she learned of the man's misdeeds from her father. Her father's contempt seemed to be thrown on her own face. She confronted her father. At this time, the old father also had a hunch, and his tone became angry and weak. At this time the phone rang, and the girl stood up proudly. A soul with a home is so powerful, her courage is like a high flag, fluttering in the wind. But what she got was rejection, and the other party missed the appointment. Haha, this is life. You dedicate your supreme courage—your family, your parents, your lair, everything that your blood has given you, give life to setbacks. The most arrogant scene of Joan Fongdon stops here, and everything in this film that meets my girl's comic fantasies stops here. Then, the girl will be tamed by life again and again. After she finally met him again, she had been tortured with no arrogance. She said something to him, saying that this is different from what I imagined we met, we should be blablabla.
What can I say! Her love is too fanciful! The post-marriage period really shows the tribulations that a woman will face when marrying an unreliable man. Grant is not easy! I saw film critics who said at the time: Grant showed disdainful rascal indiscretion, childish joy and excitement, weird mystery and unpredictability, and fulfilled everything needed for this role. Indeed, the role of Grant is too complicated. If this movie is a banquet, then Grant has too many trays. He must show the agility of an acrobat and hold every dish firmly. The logical perfection of this play lies entirely with him. And behind this is the ending of repeated deletions and changes in the script, the game of public relations parties, and the director's uncertainty. The company believes that Grant's image is important, only that hero can not be a bad person. It is also wonderful. In the film, the female writer and the heroine discussed the villains in the pen, and said in a pun: they are not murderers, they are my heroes. In the process of the male protagonist's gradual exposure, the female protagonist once stood up to fight against outsiders who told the truth, fight with herself, packed up the suitcase and wrote the farewell letter and then tore it. The desperate pride in her character is always on, and then news of her father's death is ushered in. This arrangement is quite punitive. Life pushes you far, Taoyuan has no way back. When Fontaine knew the existence of the invisible poison that could kill people, he smiled sadly and asked, is it painful? This question was thrilling, and she was always the lonely woman. Then, after the suspicion was cleared, and the suspicions in their hearts were resolved, the couple returned their homes. Wood has a prodigal son who has changed his mind and has been in the army to atone for his sins, and wood has a silly girl who has died for love and a lover. Corresponding to the sentence in the play, if you want to kill, it's simpler. As far as Xi Pang is concerned, I want to make a big ending, so let’s keep it simple live happily Forever got it, public relations couldn't pass. This movie is so short! It's over in 90 minutes. But how refined! The expressive narrative technique is also rich at the same time. How interesting is the passage where Fontaine and Grant express their sincere feelings to the portrait of the general! Lively, childish and romantic. Compared to arranging a scene where two people were scolded by the old man, the scene of disapproving with a beard and a stare was a hundred times better. Note: Xi Pang directed the only film in all films to win an Oscar for performance-Fontaine won the best actress. The previous year's Rebecca was the only film by Xi Pang that won the Oscar for Best Film, and it was with Fang Deng. The two heroes and heroines did not form friendship because of this successful collaboration. Grant thinks that Vondon is sensitive and neurotic, and he complains that the director pays too much attention to the heroine and neglects himself, and he doesn't love this movie very much. Of course, Fonten got an Oscar for this and Grant was not nominated, which made him a little unhappy. This is the first collaboration between Grant and Xi Pang, but it is not pleasant. Grant had publicly vowed never to film with Xi Pang again. But fortunately, this discord does not last long. Otherwise, there would be no later "Beauty Tactics", "Catch a Thieves" and "Northwest by Northwest". Due to the intervention of the senior executives of Raidenhua, all the shots of Grant that looked more ghostly were deleted. The movie was only 55 minutes long after it was first cut, and then had to be brought back later. This film is the first time that Xi Pang is also a producer.
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