I haven't read the original work, and I don't know how it expresses criminal tricks and psychological portrayals. But I think the reasoning part of this anime is not very good, like Fujinuma Satoru was suspected to be the murderer of the mother and escaped, including the "timely" aunt (you count the murderer too accurately! ), it seems a bit too stupid, he doesn't have to be so panic, right? The introduction of various criminal methods like the murderer (I don’t spoil it!) is too rough, like the one made by Uncle Ai Li’s family, it will blow up if you say it, the timing is so right? Are these psychological descriptions of the murderer’s criminal motives, Kadai’s mother’s abuse and "whitewashing" a bit too brief, too simple and hasty?
After talking about these "slots", let's talk about what moved and made me think.
One is about the feelings between Kayo and Satoru. I think it's better to handle animation in this way. If you are not a life-saving hero, you must become a lover, just like someone who flies all the way and sends countless flowers may not be able to move another heart. Love is not repaying gratitude, nor should it be forced. Love is praised because it is probably the most free thing in the world: I can’t control my life and the next, but at least I can still fall in love with the one I love. Although Satoru made so many efforts and sacrifices to save Kayo, I think we cannot and should not just ask Kayo and Satoru to be together (although unfortunately). Moreover, think about it sensibly. At that time, Kayo was only a ten or eleven-year-old girl. The future is so long, and Wu is not by his side (of course, this is also part of Wu’s sacrifice). Kayo did not have There is no way to choose and enlighten to go on. The most important thing is that what Goku wants most is not Kayo, but Kayo's smile. Everything Go does to make Kayo happy! ——Then don't force it anymore, not all love can go from the beginning to the end, let alone at the age of the beginning of love.
The second is about believing. At the end, what Wu said made me very touched: "'Believe' is really a strange word. Because if you really believe the other person from the bottom of your heart, you don't need to say'I believe you'. You won't say believe. There are things like air." "Is it because of doubt that I mean to believe?" "But I don't mean that'I believe you' sounds like a lie. The so-called belief is actually a desire to believe. A word of expectation." If you really believe, there is no need to say "believe". But believing is not a bad thing, at least it shows that people are still willing to believe rather than blindly doubt. This kind of "willingness" is rare.
The third is about heroes, sacrifices and partners. One of the biggest differences between Japanese heroes and American heroes seems to be that Japanese heroes are collectivist, while American heroes are individualistic. Japanese heroes emphasize personal patience, sacrifice, and partnership. importance. A hero who is alone is lonely. He can save others, but he can't save himself. That's why he needs the companion of the hero and the partner of justice. This point, including the last encounter with Ai Li, is very similar to the way I felt at the Gate of Destiny: The hero who saved lives was finally saved by the friend who saved him; the wonderful fate in the world may be repeated over and over again. Miss and hold hands.
——So, the family affection, love, friendship between people, this kind of friendship, really is the greatest comfort and gift in this complicated and mundane world!
View more about Erased reviews
