Under the fixed-point light given by God, the reality is staged in turn-A talk on the new North American film "Resurrection"

Rowan 2021-10-19 10:14:07

Under the shock of the huge screen of the movie theater, two and a half hours later, in the noisy screening hall, there was silence. Even the boy in the baseball cap, who was super active when the front row entered the field, turned his head and stood up, his expression was stunned. Not to mention, the female audience in the back row kept shouting in exclamation. I believe most people have already watched the videos under HD resources. Do you still remember where Xiao Lizi looked at last? Yes, it's the lens, it's us. He pursued his wife with longing eyes and a satisfied smile on his face. However, when the imaginary wife gradually walked away, he returned to reality, his eyes began to have fear, and his eyes changed from imaginary to real. What he stares at is the world, us, every audience sitting in front of the screen. This look is a dagger that the director stabbed at us through the hunter Glass, which pierced everyone's soul shortly and powerfully.

With this last look, this year’s Little Golden Man is already Xiao Li’s. Even if you don’t have it, you don’t have to be discouraged, because he has dedicated everything he has and abandoned his own in this film that can be recorded in history. Everything shaped the wilderness hunter-Hugh Glass. The main creative team behind the film, whether it is the director: Alessandro González Inarito, or the photographer: Emmanuel Lubezki, this pair of Oscar-level Mexican brothers, not much Make an introduction. The film was filmed in the deep mountains and snowy areas of Quebec, Canada for more than 7 months. It was found that there was no snow in Quebec, and then it moved to southern Argentina to complete the nine-month filming. The film alternately uses film and digital photography equipment. The depth of field and wide angle of the picture are unprecedentedly magnificent. This makes the two-and-a-half-hour film, such as the magnificent scroll of mountains and rivers, express the beauty of nature, the insignificance of human beings, the greatness of faith, and the killing. ugly. In the poster of the film, in the faint blue tones, two people ride a horse and walk through the wilderness. There is no way forward and nowhere to return. One is the seriously injured Hunter Glass, and the other is the Buffalo Warrior. They have a heart that is also dripping blood. In countless cold nights, the handful of flames are their burning hope. Revenge is one of them. It will never be extinguished until the last moment of life. Hands, let everything come to fruition. In the film, day and night, survival, struggle and fighting are staged in turn. The story depicts the epitome of the early expansion history of mankind, the collision and trampling between civilizations, and the constant tragedy. What makes us feel is the never-ending suffering, the killing hands, and the bleeding heart. In the lens of chasing natural light, we have seen "the fixed-point light given by God" countless times. Many actors say that their daily work process is to wait for the light to come, when the time is up, and when the light and shadow arrive, the performance will begin. The explosion of the snow-capped mountains, the torrent of glaciers, blizzards and misty forests, under the natural stage, are the Indians’ recapture battle, the predator’s expedition business, and the hunter’s retreat. Glass's revenge journey. At the end, there is a shot of Glass and Fitzgerald rolling down the hillside and coming to the river for the final fight. In the distant canyon behind, there is a bunch of sunset. We can't tell whether this was taken during the sunrise or sunset. What we see is a moment, a beam of chasing light sprinkled by God, so that this moment can no longer be copied. In this extremely beautiful place, revenge and hunting, survival and death, between animals and animals, between humans and animals, between humans and humans, always on this land, under the same sky, these repetitions are staged in turn. The drama-the battle for the right to survive. As for this movie, Xiao Xuan Er was deeply attracted by Sakamoto Ryuichi's soundtrack when he watched it repeatedly. Sound and video are matched. This is the stereoscopic experience that movies bring to people, sound and light. I strongly suggest that after watching the film, everyone find the original soundtrack, put on headphones, lie down and listen to the main theme of the movie "The Revenant Main Theme" quietly. You will be caught by this set of repeated double bass melody, once again Bring it back to the ice field and feel the thought and breathing of the hunter Glass. "First Dream" is a heartache blow, "Goodbye to Hawk" is a death knell, "The Revenant Theme2" piano and violin melody is a lonely and heavy footsteps, Sakamoto Ryuichi in the use of string music, has The compassion of the Orientals is full of natural solemnity in percussion music. Women and Warriors: The true hymn of life is in the eyes of the predators. The Indians are barbaric. They say that they must use guns to show the indigenous people the power of civilization. And our civilization is built on the pool of blood in this land, under the fur of these animals. And the director's self-justification to tear away history, to show us the wisdom of the Indians, their philosophy of life and survival skills. Such a beautiful soul is naturally represented by a woman. She is the wife of the hunter Hugh Glass: a beautiful Nebo tribe. She brought us the poetry of life at the beginning of the film. Here, the speciality of Hugh Glass, the hunter, is also shown. The relationship between him and the aboriginals is love. There is no essential opposition, but a combination of love. Of course, this kind of love cannot last forever in the colonial era. His wife was eventually taken away by an officer, the village was burned, and he almost lost his son. In this true story, Glass, the hunter, has a dual standpoint, and I want to believe that the reason for his victory over everything lies in this. The special nature of Grasse has also been demonstrated. The relationship between him and the aboriginals is love. There is no essential opposition, but a combination of love. Of course, this kind of love cannot last forever in the colonial era. His wife was eventually taken away by an officer, the village was burned, and he almost lost his son. In this true story, Glass, the hunter, has a dual standpoint, and I want to believe that the reason for his victory over everything lies in this. The special nature of Grasse has also been demonstrated. The relationship between him and the aboriginals is love. There is no essential opposition, but a combination of love. Of course, this kind of love cannot last forever in the colonial era. His wife was eventually taken away by an officer, the village was burned, and he almost lost his son. In this true story, Glass, the hunter, has a dual standpoint, and I want to believe that the reason for his victory over everything lies in this. The special nature of Grasse has also been demonstrated. The relationship between him and the aboriginals is love. There is no essential opposition, but a combination of love. Of course, this kind of love cannot last forever in the colonial era. His wife was eventually taken away by an officer, the village was burned, and he almost lost his son. In this true story, Glass, the hunter, has a dual standpoint, and I want to believe that the reason for his victory over everything lies in this. The special nature of Grasse has also been demonstrated. The relationship between him and the aboriginals is love. There is no essential opposition, but a combination of love. Of course, this kind of love cannot last forever in the colonial era. His wife was eventually taken away by an officer, the village was burned, and he almost lost his son. In this true story, Glass, the hunter, has a dual standpoint, and I want to believe that the reason for his victory over everything lies in this. The special nature of Grasse has also been demonstrated. The relationship between him and the aboriginals is love. There is no essential opposition, but a combination of love. Of course, this kind of love cannot last forever in the colonial era. His wife was eventually taken away by an officer, the village was burned, and he almost lost his son. In this true story, Glass, the hunter, has a dual standpoint, and I want to believe that the reason for his victory over everything lies in this. The special nature of Grasse has also been demonstrated. The relationship between him and the aboriginals is love. There is no essential opposition, but a combination of love. Of course, this kind of love cannot last forever in the colonial era. His wife was eventually taken away by an officer, the village was burned, and he almost lost his son. In this true story, Glass, the hunter, has a dual standpoint, and I want to believe that the reason for his victory over everything lies in this. The special nature of Grasse has also been shown. The relationship between him and the aboriginals is love. There is no essential opposition, but a combination of love. Of course, this kind of love cannot last forever in the colonial era. His wife was eventually taken away by an officer, the village was burned, and he almost lost his son. In this true story, Glass, the hunter, has a dual standpoint, and I want to believe that the reason for his victory over everything lies in this. The special nature of Grasse has also been demonstrated. The relationship between him and the aboriginals is love. There is no essential opposition, but a combination of love. Of course, this kind of love cannot last forever in the colonial era. His wife was eventually taken away by an officer, the village was burned, and he almost lost his son. In this true story, Glass, the hunter, has a dual position, and I want to believe that the reason for his victory over everything lies in this. The special nature of Grasse has also been demonstrated. The relationship between him and the aboriginals is love. There is no essential opposition, but a combination of love. Of course, this kind of love cannot last forever in the colonial era. His wife was eventually taken away by an officer, the village was burned, and he almost lost his son. In this true story, Glass, the hunter, has a dual standpoint, and I want to believe that the reason for his victory over everything lies in this. The special nature of Grasse has also been demonstrated. The relationship between him and the aboriginals is love. There is no essential opposition, but a combination of love. Of course, this kind of love cannot last forever in the colonial era. His wife was eventually taken away by an officer, the village was burned, and he almost lost his son. In this true story, Glass, the hunter, has a dual standpoint, and I want to believe that the reason for his victory over everything lies in this.

What Ling's survived all the way was the inherited belief, which he gave to his son, and was read to him by his son. As long as you still have a breath and a little breath, you can't give up and fight on. And Glass dreamed of his wife's death, his wife's volley, the words in the wind, and the eyes of the wheat field in several dreams of life drifting. No matter how difficult it is, this will always be the best moment and emotion in his heart, and he also believes that his wife has been watching him. It is because of this emotion that he has never lost himself due to killing. He is just a father who doesn't like to talk, doesn't like disputes, and only wants to protect his son. In the film, the most touching scene is that of Grass, who is foraging by the river, encounters a herd of reindeer crossing the river, reflexively quickly picked up the crutches, aimed and shot. This is a steady and ruthless shot. He is just such a shot. Excellent hunter. Evading sanctions, being a guide, and unavoidable struggles with Indian tribes are the survival positions he has to choose. When the murder of his son had been revenge, the wife he had imagined last smiled, turned and left. At this moment, the redemption between him and his relatives and between himself and himself is complete. And when the wife walks away, what is left will be immense emptiness and fear. Just like Tom. Hardy's player: What Fitzgerald said, no matter what you do, you can't get your son back. In this cycle of revenge, there is no victory, no joy, only a bleeding heart. The display of survival skills relies on the Buffalo Warrior. He snatched the prey from the canine wolf, shared it with Glass, and took him along. Their friendship is based on the loss of loved ones, the joy of chewing, and the playfulness of falling snow. When the film woke up the next morning, when filming this warrior, it created respect for looking up. The native language spoken in his mouth was like a poem, "The heart of revenge is in the hands of the Creator", which is after his wife. , Another truth passed by the Indians to Glass. When Glass fell in the snow, the man lit a fire for him, heated stones, built a tent, healed him with hay, released steam with ice and snow, and wrapped the naked Glass with bearskin in the storm. Every movement constitutes the greatest dance in the wind and snow, blooming with the brilliance of saving another life. Between the frosty eyebrows, I saw great eyes that were like torches. He was fighting time and effort with the Creator, just to save a similarly broken soul. Heart of Vengeance: The infinite loop of killing Indians In the film, there are both tribes of revenge and fighting, as well as independent and great individuals. On the other hand, the pioneers, their greedy behavior, in addition to the Indians, they also killed their own people, and ruthlessly put people to death. Grass was abandoned all the way by the settlers and rescued by the Indians all the way. At the end of the 18th century and the beginning of the 19th century, a large number of pioneers came to the land of North America. They crossed the oceans and left their hometowns, but they also caused the aborigines to lose their homes. So the silence of this land was finally broken. Both respect and culture have been obliterated by the so-called more advanced civilization. Guns and horses brought a cycle of killing. If we talk about the last "Birdman", the director dissected Hollywood's Vanity Fair and the ecosystem to show us, it was the release of the spirit of existence in the modern city. And this time, he is not only sharp, but also more ambitious. He used "Resurrection" to show the original sin of early colonial plunder to the world, which is the release of the spirit of existence in the wilderness. This kind of tragic and majesty must be interpreted in the original ecology of nature, so that we can see our own insignificance and feel the sadness in it. I accidentally saw a piece of information showing that the filming location was still French-speaking Quebec, Canada. In 1535, the French captain Jacques. Cartier, led more than 200 people to Québec on the east coast, and anchored next to an Indian tribe. Captain Jaques asked the chief, what is this place? The chief pointed to a shed and said: Kanada, which means "village" or "dwelling place", and the captain named this new French land Canada. At the beginning of the film, a series of big scenes were scheduled, the camera chased after the shooting, and finally looked up to the sky at a few eagles flying by. The tragedy and tragic are indescribable, and they can only rely on the camera's sight backward, and the old man walking in the distance whispers. The singing of the soul is like the transcendence of the soul. I don't know if there was a pair of scissors in the middle, but this smooth battle group scene, galloping horses in the distance, flying eagles in the sky, unreservedly, opened the historical battlefield for us. The tribal leader in the film is always serious and terrifying, with black totems painted on his old face, hatred in his eyes, the anger of losing his daughter. And when they finally met Glass head-on, killed Glass's enemies, and walked past him, it was disdainful forgiveness and the Creator's tolerance. Such killings are never an endless loop, and conscience makes people grateful. Hand of God: Under the watch of the creator, the Indians said that the creator controls everything. They are the people who truly live on this land, have awe of the creator, know how to coexist with living things, and are spiritually the closest to the gods. They don't know who God is, but he knows to respect the laws of nature. God and the creator may be the one who gives you life. He can be a squirrel in the woods, a buffalo lying on the ground, or an enemy who forgives you. When the buffalo warrior walked through the dilapidated church, he could also understand the more ancient sufferings in his heart. This dilapidated church is a remnant of faith. There are family and love here. Director Alessandro’s films have never lacked such dreams and conjectures. What he wants to express, the emotions in the characters’ hearts are all here. Actor Domnar Gleason mentioned in the interview that the director toasted to everyone before the filming started, saying: "I hope everyone, join me, enjoy this suffering." Then the filming officially started. This movie is indeed full of suffering: physical suffering, spiritual suffering. And this suffering has temperature. The photographer never seems to care that the lens is splashed with blood or wet. It started with the grizzly's gasp, followed by the breath of Glass, and the blood splattered with the enemy's knife. Grass crawled out of the grave, bid farewell to his son, and embarked on a journey of revenge, he escaped from a cycle of hunting and plundering. From the huge wheel of the times, the tiny dependant has become a great independent individual. He walked backwards and set foot on The path of self-salvation, several times in the wind and snow, even in the belly of a horse, between heaven and earth, is like a naked child rebirth, only for his Blood of My Blood. The tragic loss made Glass even more determined. He also knows that if his enemy is killed, his son will not return. But this is the law of survival in the wild, as long as there is a breath, you must fight to the end, this is true for the grizzly bear, and even more so for the enemy. God gives us the chance to survive, so we always experience the pain first, and then think about how to exist. This is also the question that Glass finally looks at the camera and throws it to the viewer. The Grizzlies died to protect their children, and Glass had to work hard for the children one last time. He said that he was not afraid of death anymore, because he had already finished the fight with death. What frightened and shocked him was the tens of thousands of buffalo skulls in his dream. He saw the cruelty of human beings. It seems foreseeable that after this, it will become countless human skulls. Some people say that a good movie story is full of imagination and bloodshot, or it shows individual observations, which is profound. I feel capriciously that this "Resurrection" has done it all, so it can be called a great shock. People say that great stories are tragedies, and this "Resurrection" is no exception. The tragedy in it is indescribable. It is the best in 2015 in Xiao Xuan'er's heart. There is no one. I hope to share with you. Xiao Li, I have been working hard along the way. I predict here that on January 10th, that is, tonight, he will be crowned the Golden Globe Award, Best Actor again. And Oscar, I also bet he wins! Although French Shark is also very strong, but Xiao Li deserves more praise! Blood. The tragic loss made Glass even more determined. He also knows that if his enemy is killed, his son will not return. But this is the law of survival in the wild, as long as there is a breath, you must fight to the end, this is true for the grizzly bear, and even more so for the enemy. God gives us the chance to survive, so we always experience the pain first, and then think about how to exist. This is also the question that Glass finally looks at the camera and throws it to the viewer. Grizzlies died in order to protect their children, and Glass had to work hard for the children one last time. He said that he was not afraid of death anymore, because he had already finished the fight with death. What frightened and shocked him was the tens of thousands of buffalo skulls in his dream. He saw the cruelty of human beings. It seems foreseeable that after this, it will become countless human skulls. Some people say that a good movie story is full of imagination and bloodshot, or it shows individual observations, which is profound. I feel capriciously that this "Resurrection" has done it all, so it can be called a great shock. People say that great stories are tragedies, and this "Resurrection" is no exception. The tragedy in it is indescribable. It is the best in 2015 in Xiao Xuan'er's heart. There is no one. I hope to share with you. Xiao Li, I have been working hard along the way. I predict here that on January 10th, that is, tonight, he will be crowned the Golden Globe Award, Best Actor again. And Oscar, I also bet he wins! Although French Shark is also very strong, but Xiao Li deserves more praise! Blood. The tragic loss made Glass even more determined. He also knows that if his enemy is killed, his son will not return. But this is the law of survival in the wild, as long as there is a breath, you must fight to the end, this is true for the grizzly bear, and even more so for the enemy. God has given us the chance to survive, so we always experience the pain first, and then think about how to exist. This is also the question that Glass finally looks at the camera and throws it to the viewer. The Grizzlies died to protect their children, and Glass had to work hard for the children one last time. He said that he was not afraid of death anymore, because he had already finished the fight with death. What frightened and shocked him was the tens of thousands of buffalo skulls in his dream. He saw the cruelty of human beings. It seems foreseeable that after this, it will become countless human skulls. Some people say that a good movie story is full of imagination and bloodshot, or it shows individual observations, which is profound. I feel capriciously that this "Resurrection" has done it all, so it can be called a great shock. People say that great stories are tragedies, and this "Resurrection" is no exception. The tragedy in it is indescribable. It is the best in 2015 in Xiao Xuan'er's heart. There is no one. I hope to share with you. Xiao Li, I have been working hard along the way. I predict here that on January 10th, that is, tonight, he will be crowned the Golden Globe Award, Best Actor again. And Oscar, I also bet he wins! Although French Shark is also very strong, but Xiao Li deserves more praise!

On January 10, 2016, the Golden Globes red carpet countdown for an hour at 18:00, Toronto Xiaoxuaner Ji——————————————

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Extended Reading

The Revenant quotes

  • John Fitzgerald: [to Glass] Look at me scalp.

    Andrew Henry: That's enough!

    John Fitzgerald: [to Glass] You're forgettin' your place, boy.

    Hugh Glass: As far as I can tell, my place is right here on the smart end of this rifle.

  • Hugh Glass: [to his son] They don't hear your voice. They just see the colour of your face. You understand?