To understand and recognize this work, the most important thing is a storyline in the first episode: [The comic editor said to the male protagonist that you can’t see the male protagonist’s face through the work. I hope he can give a deeper opinion]. In my opinion, this is the original work (manga), the author "Three" (or does it also include animation supervision?) who have the same understanding of this issue. Because this work really makes me feel like I see the author's face.
How can comics be interesting? If you are a JOJO fan, you must immediately think of Teacher Lu (huang) and (mu).
"Sense of realism" and "what the author sees and feels" are the answers given by Mr. Araki. I think the answer of the author's three books of "The Slave Street" is similar. The author's three works not only drew the things that touched me, but also the things that touched me and touched me again. The hero is a cartoonist! Maybe not many people have cared about this, but for a cartoonist, it is actually a wonderful thing to set the male lead as a cartoonist. Seeing this setting, plus the comic editor in the story, although the story has not yet unfolded, I have positioned this work as [a work that tells what I think with my heart] rather than a "suspense film". If "Stone Gate" and "Notes" used superb skills and level to design a wonderful story, then "The Street" is told with limited expressive ability (comic style... plot bug...) heart and soul. There is a love story. Shortcomings or anything seems indifferent to its excellent subject.
I once heard that an old manga artist in Japan gave advice to young people who aspired to become a manga artist. It probably means: when you are young, you should experience life and accumulate experience. You can practice drawing skills anytime but you only have youth. once. The author's three books should really achieve this (the plot, and the style of painting#manual funny). Now the atmosphere of animation is relatively impetuous, and the values are also distorted. Common animations are expelled from light changes, and many have [cannibalism] [blood] [hunting] [the first episode of dead heroine] [crazy delivery of lunch], [bento, Bento, Bento] and [Bento xN]. These are mostly disease-free groans, although "The Slave Street" also has a bit of lunch. . But not many people tell their own stories in this way. The male protagonist before the release can be said to be a loser. He does not possess the qualities of a good cartoonist, but after experiencing a bunch of experiences unrelated to cartoons, he "suddenly" became a winner in life and an excellent cartoonist. What did this experience bring to the hero? Why can you become a cartoonist? What is the meaning of "you can't see your face through the work"? The answers to these questions are probably the most important qualities of a cartoonist considered by the author of the three books. After the incident, the male protagonist has become able to see the heart of himself and others, and can more emotionally examine the people around him, and can tell the story that touches the heart of others with a maturity honed through life experience.
—— PS: Regarding the "realism", the description of elementary school students in "The Street" is indeed very interesting. I don't know how many memories and understanding others have about my childhood and naive self. ["Partners of Justice"], ["Man’s Romance"], [Big brother I liked when I was young] [Young and ignorant, but still blushing when I was young] etc. I think it is something that every boy had when he was a child Let XD
finish talking about the creator, and then tell the story.
save! This seems to be the main subject of all time travel themes, including "Stone Gate" as well. But "The Slave Street"
It is still different from the "Stone Gate" and other categories. There is a type of error that occurred after the beginning of the story, and what is corrected is actually the error at hand. And "Purple Street" is 18 years ago, a thing of the past. "It would be fine if I was xxxxxx" and "If I could do it again, I would xxxxxxx", everyone should have had similar thoughts. Although they know that it is impossible to achieve, they always like to think about it, even if they are like a fool. She giggled over there, but still wanted to secretly think about it. There are always regrets in life. People always want to have a chance to correct previous mistakes. Perhaps everyone has this idea in their minds, and this subject matter is so attractive. Who did the hero save? Mom, Kayo, brother courage, fake mother (suddenly can't remember the name ==)? No, more than that, the most important male protagonist also saved himself. Save yourself from the circle of loser and become a winner in life (mistake). Among [Salvation], what I like the most is to realize self-salvation in the process of begging others (I don’t quote the example of "The Slave Street" because of the spoilers).
In "The Final Story", the male protagonist Jun Jun's lack of high IQ made him unable to help the childhood sweetheart who secretly asked for help for many times, which indirectly caused the tragedy of his childhood sweetheart's life. At the same time, he also experienced a lot of unhappiness and closed his heart. Years later, a stranger came to help untie his heart knot and helped him save his childhood sweetheart. The rescue from strangers saved myself and my childhood sweetheart. My original understanding of the story ends here. Later, it was spoiled by comments, and it turned out that this stranger was a substitute (strange) body (unusual) produced by Jun Jun's own ability. Jun Jun just saved his childhood sweetheart, and he also saved himself. Jun Jun has defeated his past immaturity with his own power. This is a story of self-salvation. "Human growth is to overcome one's immature past"-"Jojo's Bizarre Adventure" Di Apollo. Because that is actually growth, so self-salvation is particularly attractive to me. This growth also makes the male lead a winner in life. Growth is an eternal topic. Much of the charm of a character lies in his growth, and a wonderful story is inseparable from the character's growth. Even if it is something that sounds like a youth romance novel like "My Youth Love Story Sure enough," the theme is growth.
Di Apollo in the fourth part of "JOJO's Bizarre Adventure"
Let me talk about my views on the ending. (Involving spoiler)
Many people may think it's unfinished. Anyway, I don't quite understand why I think so? Although the ending is really not beautiful enough, I still didn't understand the teacher's behavior at that time. As for the issue of the most topical male protagonist being cuckold, I think some viewers are too passionate. Kayo was not originally a heroine, Kayo's not being killed is just one of the main tasks, and Kayo's new life is even just a reward task. It's just that there are too many scenes, and it is just a victim (fog) in the plot of "Detective Conan". The male protagonist and Kayo had the budding of love but did not actually develop. The relationship between the two of them was originally a matchmaking of small partners. At first, the male protagonist approached Kayo only to save Kayo from being killed, although he really wanted to remove her from being killed. Rescued from a miserable life, but not because of liking her. In Kayo's eyes, the male protagonist is more like a partner + benefactor, although it is indeed possible to develop into a target. As for whether the two will have a better ending together, I want to say that it is better not to be together even after deducting the factor of Ellie. On the one hand, because the two have no real love relationship (I think I have a little bit more with Ai Li). On the other hand, if two people become boy and girl friends, it is easy for the audience to ignore the relationship between the two people other than love, and feel that it is only natural for the man to save his girlfriend. I don't feel the selflessness and sense of responsibility that the male lead saves Kayo, I feel that saving people is to pick up girls, and then it becomes a rural love story. What is the relationship between Kayo and the hero? This relationship is actually more romantic than the typical country love. I think this ending is in line with the overall level of the story. It is not unfinished and should be said to be "unconventional" excellent.
Finally, there are movie-watching suggestions. Putting aside thoughts like [suspense], you need to actively ignore some bugs and pay more attention to the relationship and emotions of the characters. "The Street" is one of the most serious storytelling works in animation in recent years, and it is worth a serious look.
View more about Erased reviews
