The narrative poem that evokes the childhood in the heart has too many auras to fill the entire poster. Now it has become a popular choice for the best feature film in the awards season. In fact, looking at the main creative team behind, the director of "Frank" who was released at the 2014 Sundance Independent Film Festival, the original editor and music producer. In addition, director Tom Hopper, the gold medal photographer for a series of films "The King's Speech", "Les Miserables" and "The Danish Girl": Danny Cohen, was invited to shoot the film in a large number of closed rooms, which brought incredible Optional protection. Director: Rannard Abrahamson, following the last "Frank" adapted from the memoirs of "Killing with Eyes", this time "The Room" is also adapted from the novel of the same name. Unlike last time, this time it's all written independently by the author. The story is about the kidnapped woman and what happened to her and her son being imprisoned. The reason why the film has won a lot of praise is not only the portrayal of the kidnapping dilemma in the story, but also the reflection of the latter part of returning to reality, as well as the different perspectives of the film-the child's perspective.
In this way, tell the world in the eyes of children and use their innocent hearts to portray the complexity of society and reality. The last time I saw it was in "The Boy in Striped Pajamas", which showed war and concentration camps. And this film tells the change between the illusory and the real world from the perspective of a child. The real world is so large that it cannot be described in words. Therefore, the film adopts the form of poetry, borrowing the tone of a child, and reciting philosophical verses.
The sentence grandma said: "No one can be strong alone, it is each of us that makes each other stronger." This is a very important sentence in the film. Although Jack may not understand, his way is just to tell his mother, don't do it a second time, it's fine. In the world of children, for parents, as long as they return and do not abandon themselves, there will be no unforgivable sins, which is touching. In Jack's film, there are at least four to six monologue poems, about two in the cramped and crowded "room", two in the hospital, and two in the new home. My favorite passage is when Jack started to know the world after he got acquainted with his grandmother’s house: “In this world, there are countless doors, behind the doors there are countless rooms, and things happen one after another. People are always busy, but no one knows where heaven is.". In the film, Jack's worldview is transferred, from fairy tales to reality, but the five-year-old's mind is simple and beautiful. His mother was just the opposite. She was already an adult. Of course, she knew clearly that she was a victim of abduction, a victim imprisoned in a room and isolated from the world. However, during the five years she spent with Jack, she was a great mother, who worked hard and couldn't bear to cruelly break Jack's beautiful childhood and fantasies. But since leaving the room and returning to her biological parents, she has degenerated into the 17-year-old paranoid girl. Her father's unacceptance of Jack made her angry, and her mother's excessive care and participation also made her anxious. She couldn't help complaining about what her mother said to herself seven years ago, so maybe she wouldn't follow the hypocritical liar to see some puppies. She must re-experience the process of becoming a mother from a 17-year-old adolescent girl in the package of family and society. She is always worried that Jack does not like toys, only watching cartoons, and has no contact with the society and the world. However, she has no contact with herself. The friends and classmates back then are no longer there. She has not finished her studies and has no job. That is the object that worries you the most. After bringing this real world to Jack, what she needs is to re-experience and grow with Jack. The film ended perfectly, at Jack's request that he wanted to return to the "room" to visit. Mother reluctantly returned to the small wooden house in this simple backyard. Jack asked if our Room had been robbed, because all the furniture he was familiar with was gone, only a few items were left lying on the wall in a mess. On the ground. Like in the beginning of the movie, saying good morning to every piece of furniture and objects, Jack says goodbye to every remaining object. Finally, he said to his mother: "Mom, say goodbye to the room." The mother also whispered farewell to his lips. In Jack's eyes, although it is dross, it is also his happiest childhood. There are vague TVs, toilet cisterns for navigating paper warships, and his mother is always by his side.
The film is moving countless times because of the true emotions. What is uncomfortable is the subversion of the fairy tale world, emptiness and reality, which is more suitable for us, complicated family and social relations, everyone will be hurt inadvertently, and will accidentally hurt the people around them. And the heart of innocence is always the power to protect us. If you lose it, you will struggle to find your way home, and if you go wrong, you will avoid the next mistake. The film's recovery of the illusory and real world concepts has revealed many problems in the real society. It is no wonder that it can be a win-win situation in the reputation of critics and audiences. At the Toronto Film Festival, when I first saw this film, I only heard that the word-of-mouth was very good. I did not anticipate the result of the awards and the future direction. It was considered without any prejudice. I felt the beautiful lens of the film and accepted it. The baptism of children's hearts, and the plight of thought-provoking characters in the family and society. Each of us, as people who also live in this world, in a small room in society, really needs more contact with the outside world, whether it is people, things, or pets, because no one can be strong alone. November 18, 2015 Xiao Xuan Er Ji
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