The three daughters of an orthodox Catholic French middle-class father were married to Muslims, Israelis and Chinese. The youngest daughter was expected to find an orthodox white French man. The conditions were almost indifferent and he just wanted to be a man, but the fourth child found one. Afro-American black, black dad is still a hardliner with deep-rooted anti-colonialism, so all kinds of racial stalks can't be happier.
The male protagonist French middle-class dad is regarded as the representative of white French. The most embarrassing part is that he has to suppress his thoughts and dissatisfaction in the face of various contradictions and pressures brought by the son-in-law of illegal descent, and try his best to show political correctness on the stage.
This is actually the difficulty faced by European whites in the face of deepening national integration. Political correctness is not a problem; on the contrary, it is a means to solve problems. The daughter is her own, and France's inclusive tradition is also her own. Naturally, she doesn't just leave it alone. Since there is contact, using political correctness to suppress instinctive anger and maintaining surface peace is the only acceptable method. Therefore, political correctness is not only a metaphysical moral code, but also a self-stabilizing method developed by Western society after long-term national integration. After all, it has developed to this point, and it is impossible to reverse national integration.
But political correctness is not enough. Although the terrorist massacre in Paris yesterday was more a result of French foreign affairs, its follow-up effects will inevitably affect the national policies of France and even Europe.
Where will France go, where will Europe go, and how modern civilization will deal with anti-civilizational extreme conservatism like IS are indeed unpredictable problems, but the fascinating future lies precisely in its unpredictability.
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