[Shadow Record] Deep Night Blood Red

Gia 2022-10-19 06:48:19

[This article contains spoiler information, please read it after watching the movie! ] (1) The suspense of the film is greater than the sense of horror. Except for the performance of the psychic who claims to be telepathic in the opening, there is no supernatural phenomenon. The killing scenes are not very shocking in today's view. Those are as sticky and bright as paint. The fake blood always makes me act out for a short time. (2) The three minutes of uncovering the truth at the end were extremely amazing. It not only revealed the biggest suspense of this serial murder, but also showed the appalling scene of the elevator killing-the most creative way to die in the film. But the biggest shortcoming of the film is that the rhythm is slow, the narrative is cumbersome, and there are many clues and minor details that have nothing to do with the plot (such as the little girl nailing the lizard to death), and the ending explanation of the murderer’s motive and truth is also slightly hasty. Suspected of anticlimactic. The actor’s emotional development towards the heroine lacks the necessary preparation and appears abrupt. This is different from Daria. Nicolodi's exaggerated performance is also related. (3) In terms of the soundtrack, the director Aquito collaborated with the Goblin band for the first time. The frequent electronic rock music made the film more stylized, but it did not help the overall thriller effect and seemed to be tasteless. Take the scene where the male protagonist searches for clues in an abandoned old house as an example. The continuous and monotonous music greatly weakens the suppressed and nervous emotions, and even has a tendency to transform into a lullaby. The film is the best). In fact, for this villa adventure, it is better to have no soundtrack, or to add the soundtrack suddenly before the scary scene appears, which can make the audience feel heartbeat. Compared with this film, the control of the soundtrack and sound effects of Aquido two years later is very different from this film. The latter has more diverse and complex music, and adds screams, whispers, and roars. Waiting for the human voice, mixed with the harsh sound effect similar to the metal and glass percussion, it is simply unbearable. (4) There are still many remarkable points in this film, the most notable feature is the changeable lens and camera position. Aquido is good at using push-pull lenses and inserting close-ups to speed up the rhythm. When the psychic lady at the beginning of the film went crazy (Is it a performance or really perceives the murderer?), the camera quickly advances to the podium, which not only makes you nervous, but also simulates A certain kind of subjective perspective of evil spirits pounced on the psychic lady. At the moment when the hero in the square heard the scream, the camera zoomed and quickly pulled to the position overlooking the large perspective within 1 second. This is also a typical large perspective lens of Aquido, in the moon of "The Wind and Wind" There is a lot of use in the paragraph of Yuan Ye Gou hits the people, but it replaces push and pull with quick cut. In addition, the fast-edited close-ups of the victim's or murderer's facial details (the passage of the psychic lady; the eyeliner shot before the crime), the piano keys and the strange toys, etc., also created a lot of horror. effect. (5) Sports long shots are also Aquido's best. When Ms. Psychic gave a speech, the director explained the clues that the "murderer" squeezed through the crowd from the 6th row of seats and got up to the toilet by hand-held photography-subjective lens. After that, the "murderer" Hiding behind the pillars of the auditorium, she quietly watched the movements of the psychic lady, and followed the subjectively. There are too many examples of panning the camera to guide the audience's attention and perform saccadic movements, so you can keep an eye on it. (6) Perceive the disappearing room in the deserted mansion through the photo, and then chisel in from the outer wall; the ghostly painting in the room of the psychic lady, with white faces and white eyes, looks like endless ghosts; the mirror image of the murderer has long been revealed to The audience, however, happens to be in the visual blind zone of most viewers; the distracting robot doll resembles the predecessor of Billy doll in "Chain Saw"; the female reporter who is keen to break his wrist with men; the old car , Collapsed the inferior co-pilot seat, got off from the panoramic sunroof opened on the roof; the victimized woman by the assassin beside the windowpane and a fire burned down the mansion, seemingly the prelude to "The Wind and Wind". (7) Why be a musician? Because in my eyes, the piano is like a woman's body, and I'm squeaking her. Because my doctor said I hate my father, so when I played the piano, I was like beating his teeth. 【All rights reserved, reprinting is prohibited! 】


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Extended Reading

Deep Red quotes

  • Gianna Brezzi: I think that a woman's gotta be independent so she can...

    Marcus Daly: Oh, don't start with me about all that woman's stuff. It is a fundamental fact... men are different from women. Women are... weaker; well, they're gentler.

    Gianna Brezzi: They're what? Weaker? Gentler?

    [she howls in laughter - stops laughing, stands, unbuttons jacket, moves to the table, determinedly clearing it]

    Marcus Daly: What on earth are you doing?

    Gianna Brezzi: [sitting again and holding her arm up, wriggling her fingers] Come on, Tarzan. Why don't you try me?

    Marcus Daly: What's that?

    Gianna Brezzi: Arm wrestling.

    [brusquely]

    Gianna Brezzi: Come on. Then we'll see who's weaker!

    Marcus Daly: Oh, don't be ridiculous!

    Gianna Brezzi: You backing out?

  • Carlo: Look, maybe you've seen something so important you can't realize it.

    Marcus Daly: But... I'm just trying to understand, because...

    Carlo: You know, sometimes what you actually see and what you imagine... get mixed up in your memory like a cocktail... from which you can no longer distinguish one flavor from another.

    Marcus Daly: But I'm telling you the truth!

    Carlo: No, Marc. You think you're telling the truth, but in fact... you're telling only your version of the truth. It happens to me all the time.