I don't know if there will be other films that give me a naked-like viewing experience, too strong, too unique, and too fond of it. The director "tears the world with decadence" and refracts the morbid state with neuroticism (idealism in reality). Jonny is like a wandering soul of thought, knocking out the true colors of the world in every corner of the city. Some people say that this is the footnote of the times, when the Soviet Union was disintegrating, the drastic changes in Eastern Europe and the doomsday panic of the Christian world in the West. I believe that it will not be outdated.
A wanderer who talks about weirdness, nihilism, and end-time philosophy came to London in search of old love and wandered into the lives of all kinds of people, but they bumped out the same broken souls, every one here. The little people are all philosophers, and they are lonely and decadent in dialogue with the wanderers. Love and homecoming became the only warm light, but the director was ultimately unfeeling. He is cynical, he loves reading and has his own set of philosophy. In the final analysis, he is an idealist who longs for love but cannot accept love, and ends up with nothingness.
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