In fact, half of the time I saw it, the development of the plot was too mediocre. The positioning and performance of the protagonist were superficial. The expression of comedy without connotation was like an artist’s pretense, even a little hysterical, I I don’t know why I would finish watching him under this kind of research and judgment. I think about it. I really feel that after the plot is over, maybe it’s not the success of the department store policeman, but someone like him, who seems to be by his side, and finally succeeded. Attack, let me be indifferent.
Abandoning the sporadic and loose plots, and not thinking about sometimes ridiculous ridicule, the male protagonist who wants to win laughter by relying on stinking poverty is actually a bit going to lose, and it is difficult for the audience to buy it.
But...actually, the script expresses a very objective legend of a father who is not confused in his forties. Based on comedy, he wants to communicate with the audience through laughter. From the details of the director’s handling, I think he knows exactly what he wants and how. Being able to go all out to give full play to all the points of laughter, making the audience have a little aftertaste after laughing, because there are many security guards like Paul's unhappy father, and not everyone can counterattack. Yes, life is ordinary and hopes to be a dragon. He longs for love for everyone he loves. Sometimes he always does not help, but he loves his job as a security guard. He loves life and family. He can bring smiles to others. Sometimes You will find him very annoying, even a little naive, poor, and too simple, earning a negligible salary but reluctant to think about it. In the end, he did not chase the other half in love. You may even think that the final rescue operation is a bit superfluous, and the director is a bit overkill. But I think the success of this film lies in its ability to establish a vivid image of a small citizen, and also to bring my love to those around me or even outside the screen.
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