Drunken Master

Hollis 2022-04-24 07:01:17

In fact, I have never really liked Jackie Chan. Last summer, I watched the "Police Story" series, but I just thought that the big brother was hard enough and had a style, but I didn't feel that he had acting skills or aura. For action movies, actors with better skills Naturally, it has advantages and cannot be regarded as a bright spot, but "Drunken Fist" gives people a different feeling. Although Jackie Chan's work 40 years ago has basically no plot, the action scenes of the whole film can account for 80%, but Jackie Chan However, his performance is immature and playful, and he is a bit serious in playing tricks. His early twenties is a good age. Jackie Chan has grasped it, especially his rivalry with Yuan Xiaotian, which is no less than that of the older generation... "Drunken Fist" "has a vulgar comic routine, relying on the character's nerves to create "laughing fruit", but the film's action design is fine enough, every action is prudent, confrontational but more ornamental, especially Su Huazi's set "Drunken Eight Immortals" is probably the most praised episode of countless drunkards. I still admire the creative positioning and creative attitude of Hong Kong filmmakers at that time. They always put the audience at a very high level, not deliberately to please, but a sincere respect

Maude 2022-03-23 09:02:40

The combination of long takes and constructive editing combined with real kung fu and exaggeration (such as the master's upside-down at the table) combined with pushing and pulling as punctuation can not only divide the action paragraphs but also serve as transitions. The use of impromptu objects has already formed a form of martial arts comedy that integrates martial arts into the daily routine of eating, drinking, lapping, and tricking hippies. The naughty image is an anti-traditional image of Huang Feihong - such as Guan Dexing and Jet Li's image are also very different. Jackie Chan's martial arts training has given him a lot of comedy advantages. Shadowless stools, squatting horses, back hands, necks, water altars, water altars, etc. echo the Shaolin thirty-six rooms of Liu Jialiang in the same year, but use the attitude of game rebellion and the seriousness of the latter. Compared. The way of flashback repeating the picture + echoing the sound is too hypocritical. In the end, it is a finishing touch to leave her own skills for He Xiangu