At the beginning, the protagonist and the heroine have already experienced emotional rifts. The reason is that all the freshness and excitement of the two people disappeared and they entered a peaceful period. Just as the sentence is the longest love confession, have you thought about your feelings as an audience? At least I feel the same. Women are more emotional, especially the little girls. They feel that as long as there is love, even freedom can be abandoned, just like the idiot who has been deceived by the fake male protagonist at the end, and has no ability to think. And the feelings of the true male protagonist towards the true female lead are sincere and selfless. After pretending to be the false male lead and true female lead ML, he can feel that he has reached the point of abandoning his dignity to the point where he has no bottom line. It is a pity Our true heroine has only full of enthusiasm but no corresponding excellent qualities, and cannot attract the true heroine again, just like most of us, although humble, guarding this last little pure land in our hearts-loyalty to love.
The fake male protagonist is completely a conspirator. He only loves himself, is self-centered, and uses all means to achieve his goals. Useful time is the same as a dog. You lick your face and drool. When it is useless, you kick your head away. Never return, a typical scumbag.
The true mistress is a little princess who has not been deeply spoiled in the world, innocent, romantic, self-centered, unable to see the essence of things, just like most married young women in their 30s, who don’t have much emotional experience, and Being spoiled by everyone around him happens to be an emotionally flat period, and they are the representatives of the derailed regulars, the little bitch.
The fake heroine is the real heroine many years later. From the fact that the fake heroine was unable to escape from the villa and the behavior of seeing a person running away from the poor, it can be seen that the relationship between the fake heroine and the fake heroine is also a lot of problems, and finally She followed the real male protagonist very rationally, instead of saying that she would rather be trapped in the villa than separated from the fake male protagonist. It can be seen that this woman has a deep understanding of love and even despair. When a woman's reason overcomes her sensibility, then the woman really matures. In the whole play, the fake female protagonist has the least lines but is the most full-figured character. She definitely has a deep affection for the fake male protagonist. It can be seen from the dialogue between the fake female protagonist and the real female protagonist, but she finally followed The true hero left. In terms of scheming, she realized that the fake male protagonist did not want to go out with herself, so she went to tell the real male protagonist the truth that is half true and false (really can only leave two people, falsely she wants to stay) deliberately induced the truth The male protagonist and the true woman lead a showdown, forcing the fake male lead to see it, but she put on the clothes like the true female lead, which is interlocking, which is simply not good. Besides, the appearance is clean and generous. The contrast between the last four people sitting at a table and eating is simply not obvious. It shows the charm of a mature woman. If it is not really exactly the same, I really suspect that it was performed by two people. I would like one. The ultimate winner is the fake heroine, who not only gets out of trouble, but also gets the infatuated true heroine. For a woman who sees the essence of love, the true heroine is simply a better choice.
Summarizing
a pair of infatuated real heroes and mature fake heroines, and a pair of scumbag fake heroes and little bitch hitting real heroines, it is really unexpected and reasonable.
At the end, the director returned to the subject and sublimated the whole movie. The male protagonist chose the fake female protagonist without hesitation, while the true female protagonist just watched the true male protagonist leave without choosing to stay and explain that there is a vague remorse for the truth. The male protagonist thought that he had found his true love again, but a sentence of bacon brought the true male lead back to reality, and the true male lead's loyalty to love collapsed in the face of this reality, and he hesitated for a long time and finally chose accept. At this time the problem has been sublimated to the level of philosophy! From the perspective of love: Do you love her in your ideals or her in reality? Or is it yourself? From the perspective of life: Is your ideal important or reality more important? In other words, reality is ideal, ideal is reality?
So dear viewers, who do you actually love?
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