First of all, the first episode made me impulse about windows. Although I can't say that I hate the theme of online games, this background setting is a series of online game themes that I personally think are relatively poor. Since playing the game, it is set as a group of young people working hard to attack the city, or fighting to equip the treasure, interspersed with the royal elements of friendship, love and blood, this kind of simple and crude setting is often very pleasing, such as the tower of Druja. Or the hack series of the year. As a result, the author tried to raise the seriousness of the game to a new level. Everyone could not quit. In the game, death would also die in reality. In an instant, 10,000 people got on the thief ship inexplicably, and the boss explained his behavior. Yes, interesting. That's right, interesting. I think the interesting thing is nothing but the author's brain. So just a month later, 2,000 people died. There is no doubt that this is a very serious anti-human behavior, but the real society is indifferent; compared with the horror data of 2,000 people who died in the first month, the protagonist has a calm expression; the culprit of all this, Jing Yan is not in the work. The emphasis on criticism was recognized by the protagonist in the later period. This kind of plot of the decay of human life and morality is a typical second disease yy. The author tried to raise the worldview to a new height, but unfortunately his ability to control is not enough to accomplish this goal.
Then there is the overall viewing experience. I have to admit that both the a1 painting level and Kajiura's music quality are impeccable, these hard data must be praised, but this unclear script has begun to give me a headache again. I was still parting with my partner in the first 1 second, and I met my new partner a few months later. The first second was still entangled with the girl, the next second an enemy jumped out inexplicably, and it is said that he has seen the protagonist many times. In the middle? Where did it go in the middle. This kind of plot of rpg fighting monsters upgrades honestly and chronologically. Isn't it good to follow the plot? Is it fun to make something that no one can understand except yourself? The first 8 episodes have a very fast pace, but the plot rhythm is very slow. This narrative rhythm causes the entire script to be out of touch and the readability of the work is greatly compromised.
Next is the plot. If it’s a metaphor for Sister Yuanzi, the plot of this work should be like using uncooked bread, sandwiching more than ten slices of deep-fried chicken, beef, chocolate bar and cheese, and then using London-produced eel jelly. Burger made as a slurry. The foundation of a work is like bread. Without these basic background stories, it is difficult to unfold, and the story background of this work can only be said to be full of loopholes. Regardless of the social and moral loopholes mentioned in the previous article, the protagonist's strength in this yy world is also a problem. The protagonist is alone, why can he have better resources to upgrade faster than those big guilds with many people and power. The protagonist is clearly capable, but he can watch his teammate die in front of his eyes and is unwilling to show his true strength. Besides, where does the protagonist's abilities come from, why the protagonist can always turn the tide at critical moments, and why the iron rule of "death in the game in reality" that has slaughtered thousands of people is not applicable to the protagonist. A series of unexplained questions left me only the fact that the protagonist had to admit it.
And the unfolding of a story is like the ingredients in a hamburger, with the daily bedding like plain vegetables, and the plot climax like bold meat. As a result, this work feels like it's always in climax. One girl finishes pushing and pushes another girl, and one boss finishes and pushes the next boss. In the middle? Where did it go in the middle. The girls are almost like moths in the works. Whenever I just remember the name of a new female actor, this girl has almost been attacked by the male protagonist. Should I go to the middle? Where did the middle go. Don't tell me that the male protagonist introduces himself to make the girls orgasm. Not to mention the boss fight, basically the male lead was beaten up, and then received a plug-in from the author, crushing the audience. There is basically no main storyline in the first 8 episodes, and it finally looks like a story after 10 episodes, and it is generally judged that the standard is not high after 14 episodes. So the active ingredient of this film is just 5 episodes ranging from 10 to 14.
Finally, there are clues like the paste that connects the taste of various ingredients in Hamburg, or the main storyline. Unlike most people who don’t like episode 14 and later, I personally prefer episode 14 after episode 14, because there is a relatively clear main line after episode 14, which gives the work a certain logic and improves readability. The main line of the so-called sao article is described in one sentence, that is, the male protagonist opens up Long Aotian and pushes his sister. The male protagonist has a famous saying, "The most boring thing in the world is to watch others play rpg". This sentence is too incisive. For those students who can watch the climax after reading the sao article, I can only say that it is good to go all the way, pay attention health.
The last is the overall artistic style of the work, the writing style and so on. I can only use one word, which is terrible. I don’t know how many years I haven’t seen a charming protagonist. The male protagonist's character is more cowardly than gentle, and his temperament is more vacillating than melancholy, and his appearance is more sissy than handsome. If you want a male audience to like it, isn’t it good to make the male lead a masculine and firm setting? If you want a female audience to like it, isn’t it good to make the male lead a fresh and hearty setting? Why is this nondescript setting? Mainstream, why is it always going to save the world? Then the setting of female characters is even simpler. Sister Loli, wife, various so-called attributes, as long as you like the male protagonist, the male audience will consciously pay the bill. Who cares if your feelings are not sincere and have a good personality. Not full. Next are the male players. Male players who were not taken seriously in the harem film have absolutely no human rights in this film. It feels like a person who casually pinches the rpg maker. Anyway, the appearance time is less than 10 seconds. It also sets off the noble and glamorous male protagonist. Finally, the villains, this villain made me feel the author's deep malice. There are roughly two types of villains in this movie. One is that they didn’t attack the hero’s harem, such as the boss in the sao chapter. These types of villains are generally neurotic. They do harm to the world for some inexplicable reasons, but they usually don’t die. It can also be washed white. The other is for the male protagonist's harem, such as the total boss of the alo chapter. This kind of generally incurable wretched and perverted behavior, completely unreasonable behavior as if the purpose of being born is to make people hate, and their fate is also Love to be sanctioned by the male protagonist. Summarize the male lead’s behavior pattern, kill 4,000 people at will, and those who move my harem will die. Throughout the film, there is not a single character that makes me like it, which is really rare.
Among other things, this is a beautifully packaged typical third-rate starting point article, full of the unique Longaotian style yy during the second disease period and the struggle to meet the needs of the opposite sex. Every spectator can do it and cherish it.
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