In fact, the brilliant and playful confrontation in the first two-thirds of the film is not Pixar's strong point, but what surprised me was that they did it very successfully this time. A main story with clear lines and clear motives, endless emergencies and ingenious resolutions have always led me to integrate into this process that seems a bit far-fetched but interesting in the overall setting. In the third part, the creator's interpretation of the characters is also bolder. Each character has bright spots and outstanding personalities, including villains such as Big Bear and Big Head Baby. The personality levels are also very rich. During the "prison break" process, they play their respective advantages to each other. The cooperating design is full of creativity, and there are many interesting spoof plots. I am afraid that all the audience will not forget the hilarious performance of Buzz Lightyear after being reset to the Spanish space ranger. There is also the gag of the potato heads. It's also wonderful. Under the priceless cloak of affection, the banner of anti-dictatorship of violence against violence has been raised, and Americans have always spared no effort in exporting the values of democracy and fraternity. However, if only the above is achieved, this is only a licensed product of medium-to-high quality. After the climax of the plot I thought, the most exciting part of "Toy 3" has just begun. It seems to be the aftermath of emotion, but It hit me in the chest like a stray bullet, which caught me off guard and endless aftertaste.
As the concluding chapter of the "Toy Story" trilogy, "Toy 3" arranges a heart-stirring ending for Andy and the toys. For children, toys not only represent a kind of joy of life and spiritual dependence, but also an indelible life coordinate in the long road of life. Maybe we can't experience such dramatic gatherings and distractions with toys like Andy, But at least the film reminds us of the toys that once accompanied us through our lonely childhood. For most people, I am afraid that there is no chance to arrange a home for these former soul mates at least to make them feel at ease, like Andy. Whether their missing destiny will touch your heartstrings under the inspiration of "Toy 3" is a touchstone to test your childlike innocence and feelings. The conversation between Andy and the little girl Bonnie actually implies the transmission and continuation of childlike innocence. When Andy passionately introduced Bonnie to these toys that accompany him through his unforgettable childhood, the shock and melancholy produced here can be compared with The opening 10 minutes of "Flying House" is comparable, and the expression is more basic and natural. The last 20 minutes of "Toy 3" alone are enough to make this film immortal, which is the true value of Pixar Animation.
As Pixar's second cartoon filmed with 3D technology, "Toy 3" and "Flying House Tour" showed similar weaknesses in the use of 3D technology. In fact, this movie can almost be watched with glasses off. Of course, this is not to say that this is pseudo 3D like "Alice in Wonderland" and "War of the Gods". The intention and sincerity of the film's 3D production can still be seen, but compared to DreamWorks' "How to Train Your Dragon" not long ago "Toy 3" can be described as dwarfed technically. It can only rely on a simple layering to create a 3D experience, and the dynamic visual effect is seriously insufficient. In fact, with the unique style and charm of Pixar animation, the 3D technology at the expense of the brightness of the screen is actually a tasteless for them to discard, and abuse will reduce their points.
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