Take advantage of Youqi and Taiping’s greed for gold to attract them to work together... Different from the gloomy frustrations of the early "Samurai of Seven" and "Spider's Nest", it has a strong preaching, cynic and ironic style. "The Story of Samurai Kings" takes the lead in an entertaining action movie , Minimize dialogue, tell stories with flexible, sophisticated lens use and editing skills, and focus on shaping vivid and fleshy characters. The three-dimensional character description of each character is subtle.
The first person to appear is Yuqi and Taiping. They are ragged and have no long objects. The world is home; one fat and one thin are always arguing because of trivialities, and they accuse each other of it. The dialogue is irritating. Their main task is to relieve the tension of the movie. Momentum, honestly speaking, are a pair of poor living treasures.
The loyal minister of the Akizuki family, Mabi Rokuro, has thick eyebrows and big eyes. He conquered the princess with the aggressive method; when the chasing soldiers approached, he arranged the princess and the others to meet, and then one person and one horse, sprinting, first softly killed the saddle and second soldiers, and then rushed to the enemy barracks alone. The single pick was once on the battlefield. The great general Tian Suo Bing he killed with him is about the heroic spirit of Yun Chang Qianli riding alone, soft face and ugliness!
Princess Qiuyue treated her father as a boy since she was a child, and she was so spoiled as a manly tone and self-centered personality. Fortunately, she is She is willing to accept Chen Yan and cherish her subordinate Mingjun; the princess also has a lively side, she dances with the farmers who participate in the fire festival, innocent and affectionate.
The director moves the mirror to arrange the roles and explain the pain of parting to reach a state of ecstasy. When the live baby is struggling with the distribution of gold bars, the camera is turned, Rokurota Maki on the sandy slope looks at the two from a distant overlooking angle; the cottage hides the castle and the ministers bear tears on the hillside to bid farewell to the four princesses, the camera is far away ( The place where the princess is) zoomed in (where the ministers stood), although the two sides did not say goodbye, but the moving position tells the loyal ministers and the lord who are like bones and flesh, they are reluctant to separate, and the sorrow of the farewell that will never meet! The
movie does not forget to follow Kurosawa Director Ming has always reflected the reality and the purpose of fighting the scourges of war. However, "The Story of the Samurai Kings" switched to the use of camera scheduling. The use of the camera does not contain human emotions and subjective and objective elements. It only restores the uniqueness, criticism and compassion of all the characters and scenery. Lebanese people under the chaos of war and their tools of war-native soldiers. Civilian Youqi and Taiping witnessed soldiers killed several soldiers on the grassland. The status and status are higher than that of civilians, the image is mighty, and the soldiers who have enough food and clothing have no guarantee of their lives. What's more, they? The civilians who were forced into the potholes to dig the pit of the dead and the gold came oncoming, unavoidable, the world is inhumane, and the lives of the people are not as good as grass and mustards, and they are silent. The camera captures the scene of the fighting between civilians and soldiers in a diagonal diagonal line. Seventh, Taiping is frightened by the escaped people, shivering on the threshold stairs, trembling bodies can be vaguely seen by the escaped people running down.
The class under the sun, Yuqi and Taiping smiled contentedly, rewards are placed in their clothes, they no longer argue, money is important, but the precious friendship that has been in trouble is even more important.
Written by Patrick Chan on September 10, 2006
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