For those who think that the heroine is already dead, those who insist that the heroine is not dead and buried alive are really too superficial and treat a drama film as a crime thriller; for the latter, the former is a group of pretending not to understand. B committed.
Let's first look at the evidence that the heroine is not dead.
1. Can the dead pick up all kinds of objects and smash them?
2. The mirror and water vapor at the end.
3. A series of abnormal behaviors by Eliot who were supposed to comfort the deceased.
4. There is no point in giving intravenous drugs to the dead.
The above four paragraphs are from "The Owner's Cat", mainly because they were rated as "Most Useful" and they are indeed more comprehensive.
What follows is a rebuttal to the heroine who is not dead.
1. Residents in this town have been emotionally stable after losing their loved ones, and the town has no hospital, no police station (non-functional), and even no good citizens to help others.
2. The image in the mirror in the middle of the movie.
3. As a murderer, Eliot was too calm to leave the victim in a room full of murder weapons, not one.
It can be seen that the evidence on the rebutting side is indeed relatively weak, all of which are inferential. In addition, children cannot be used as circumstantial evidence. There is a consensus on this in laws around the world (en... there may be exceptions).
But if this film is a crime thriller, it would be too bad. There is no police to trouble you, and the victim is automatically sent to your morgue. You don’t need to always look at the victim. It’s okay to leave her where you can get a few knives and several mobile phones. This is like a state where you have played GTA to the point where you bought the police station!
It can be said that this is a feature film, and the content he discussed is too blunt and crude. If you have to compare, I think the mantou murder (e.g., what is the original name) is different from the aspect of "telling more grand propositions." The skill of this film is close.
To say the most successful part of this film, it probably depends on the idea of "Did the heroine die or not" that successfully attracted most people, thus concealing the film's failure to do well in both crime and feature films. fact.
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