The translation of the former movie is called "Rodin's Lover", the latter is also known as "Mrs. Belon"-if the former reminds me of Huo Xiaoyu and Chen Baolian, the latter reminds me of Jiang Qing and Hillary, I don’t know why, I should be a lover When these two titles are superimposed with Madam, I will think of the hapless Edward VIII who is known as the one who does not love the country and the beauty.
Camille and Ivita, they both have the same talents and appearance, the same stubborn conceit, the former was born in the noble family, the latter was born in the poor, because they have different goals: the former fights fire with moths for love, the latter is determined to Become big figures in the capital of Argentina, so they embarked on a completely different path. The proud Camille was crazy about love, and the humble Evita laid the love again and again (if those can be called love) under her feet, and finally Won the first lady's crown.
Yes, it seems that Camille and Evita are two diametrically opposite stories. In the process of pursuing art, the noble lady Camille’s noble body and soul are forbidden by anyone, while the poor girl Evita is It is determined to climb up, and for this, it can be "a pillow for a thousand people with a jade arm, and a thousand lips with a red lips." This is very much like a textbook on the positive and negative aspects of love. The cover of one book is Camille, and the stories in it include Huo Xiaoyu and Chen Baolian, as well as many silly and unknown women, with gloomy and gloomy colors; the cover of the latter is Ivyta The characters in it include Wu Zetian, Jiang Qing, Hillary, and perhaps even the shadows of Bingbing, Ziyi, etc. in the entertainment circle. They are all luxurious and beautiful. We can use these two textbooks to educate those little girls. The conclusion may be as Yi Shu borrowed. Xibao's mouth said: It is not too difficult for a young woman to climb up, she is determined to get up early.
Is that right?
no.
Apart from the mysterious and mysterious things like "one fate, two luck, three geomantic omen", this is actually a story of whether a woman persists in her dream or not.
"Rodin's Lover"
Camille’s stubborn pride has been revealed since the beginning of the film. Whether it is her digging clay on a rainy night or her silent and firm resistance to her mother, there is nothing right or wrong in her personality, I think (of course, it’s just what I think), If she can persist, insist on his stubborn pride, insist on her almost fanatical pursuit of sculpture, she will succeed sooner or later-this kind of success is not flowers and applause, fame or status in the ordinary sense. In fact, we see, Although she is also troubled by money, the proud Camille dismisses these things at all. What she pursues is the highest state of art. At that time, there may be successful accessories-fame, wealth and status. It is loneliness that is not appreciated, and if you are only pursuing the highest state of art, you shouldn’t care about it. In fact, if you just blindly pursue your dreams, success in both fame and fortune is hard to come by. Artistic achievements were high, but there were not a few artists who were impoverished at the time. The most obvious example is Van Gogh. God may have a favorite, but very few.
Unfortunately, this is not a female version of Van Gogh's story, because Camille met Rodin.
When Camille met Rodin, she was dizzy and fell. Perhaps Rodin’s light was too dazzling, so she rushed towards Rodin instead of the direction she had originally dreamed of. Her steps were too great. Soon, it feels like her life is to run directly towards Rodin-in the road of life, there are actually very few deviations between the road and the road, so little that we can't even notice it, but, slightly Inadvertently, the slightest miss is a thousand miles away.
There are actually two roads leading to Rodin, one is called love, and the other is called marriage. Camille was on the first road at a high speed or even accelerated, but later he had to take the second road, but Rodin told her: this road Nowhere.
And Camille can't go back anymore, can't go back to art, can't go back to herself, so she goes crazy.
This is the horror of the road of love.
In martial arts novels, there is often a kind of supreme martial arts. Once you practice it, no one will be able to dominate the martial arts, and this kind of martial arts is not available to everyone, only very few people with extremely high talents can learn. To get involved, if you do not have to practice, the results are often miserable, and you will become crazy if you are not dead.
Love is such a martial arts.
The so-called extremely high aptitude refers to the ability to persevere in the self that is difficult for ordinary people to match.
Camille doesn't have such a talent. Rodin was actually a road given to Camille by God, but she thought that was her end-so that indeed became her end.
Obviously, Rodin has it. If God has a favorite, then Rodin is. Great artistic success, great social recognition, noble and mature temperament, and the extreme favor of many beautiful women... Rodin is like the ultimate master of the Nine Suns Scriptures and Star-absorbing Dafa. He has a very high level of artistic cultivation. , And can reach a good consensus with the authorities. He loves Camille, and his star-sucking method allows this love to continuously provide him with extremely rare artistic inspiration-like picking the shade in the ghost story of Pu Songling Yang female ghost.
Camille eventually became the dregs of him and his art. What does
"Madame Veron"
Ivyta want?
From the very beginning, Evita was determined, even at the bottom of society, she was still enthusiastic about becoming a big figure in the capital of Argentina.
What does she have? She has beauty, a body, and a profound understanding of the relationship between men and women. So when her first lover worriedly told her about the corruption in society, she confidently said: Corruption is my opportunity.
The process of Evita’s ascent is likely to be a bloody "memoirs of a geisha", but the presentation form of the musical makes the dialogue in this process full of philosophical and poetic meaning:
a photography that celebrates herself with one hand. At home, Evita sang without hesitation: "Couples throughout the ages, regardless of gender, hope that each other will provide all kinds of convenience"-this makes me think of the sentence in "Deep Throat", "All honey-like relationships are the same." All can only be foreplay, and it is impossible for the whole world to have a relationship between men and women who have no need for each other."
"When the love is disillusioned, I am naturally very frustrated, but it was already in the past. Don't remember our sweet past." This kind of lyrics repeats with the same melody, making people think of the famous Chinese history of the prodigal son Xie Ximeng's "Bu Shouzi" "The waves of the two oars are flat, and the green hills are locked on the shore. You return home and I return, how do you live? I don't think about it, you don't think about me. Give you to my heart and give to others!" The
handsome guy Zorro Incarnate as a sober and sharp bystander, unceremoniously sing "The empty mind wakes up, Ye Luozhu is turned into a shadow" to Evita's past. I don't know who the translator is. Such beautiful lyrics make people think of Zhang Sanying's" In the evening mirror, it hurts the flow scene, and the later period of the past is empty."
Naked power and sex transactions are underlined by musicals. We all know that power and sex transactions are immoral. It is unfair and immoral for women to exchange their bodies for what they want, and even violates the law, but few people ask about it. :Why?
In ancient times, women and wealth were capitals used by men to show off. Unlike cold gold and silver jewelry, women are alive, beautiful, sentimental and sexual. In a sense, women have life. Of wealth-of course, wealth that will expire and depreciate.
The same is true in modern society, as long as you are willing to measure your life with wealth, or even equate it with it.
What is fairness? What is morality? "Deep Throat" has this feeling: "A beautiful girl is born with a postdoctoral degree, and she can do whatever she wants." Some people have a golden spoon in their mouths as soon as they are born, and some people earn fame and fortune with their physical or mental power-why do we say that this is more noble than earning with the body? If you use labor's effort to calculate, how can "the one who works hard to rule people and the one who works hard to rule others"? The mind or body is given by God or parents. Which one is not useful? When a person has worked so hard to make money only for his own selfish desires and a person sells himself to save the poor, who should we condemn? One thousand catties of Chinese cabbage is not as valuable as one gram of gold. In famine, the former can save many lives. What can the latter do? Don't mention fairness to me, as Porte said, "the world has long lost fairness." Don't mention morality to me, morality has long been nailed to the cross.
Existence is reasonable. Use the rules of social existence to get what you want, and everyone will worship you.
Yes, Evita made full use of the social rules of the time, and maximized the value of her body. In the pursuit of power, Evita did not doubt, hesitate, or be greedy (she just had to climb up), Eventually she got her wish and became the first lady of Argentina.
We have to admit that Evita was born for politics. A singing girl with a low level of education would be such a smart speaker. She shouted in front of the radio, "I am a poor man, so are you, Veron loves you." , I understand you, you are one of you, otherwise how could he love me so much", we were dumbfounded to find that the seemingly absurd conclusion was logically impeccable, and her song "Don’t Cry for Argentina" The sincere confession made all the poor people in Argentina burst into tears and passionate sentiments.
Evita's unwavering life is so enthusiastic, like a brilliant firework, it passes away immediately after the dazzling.
At the age of 33, Evita died in her Mood for Love.
Maybe it’s really a helper who is self-help. God sent Evita to a man who was willing to help her go to Qingyun. He knew that after making the paving stones, there was no future story. No one came forward to retaliate, and there was no original partner who jumped out to stage the show. Maybe it’s because they all know that
there is no morality or fairness in the face of love. There is only time to get out.
It's a pity that Camille didn't understand this truth, and Rodin was not bad to Camille—we couldn't blame Rodin, from the beginning. There is a saying, "The body is the thing that makes women the most conceited and inferior." When such a beautiful woman is naked in front of you, what better way to praise and love than to kiss it and possess it? ?
In terms of being free and easy, Camille is far inferior to the men abandoned by Evita. In fact, Camille has already lost herself in love, and she can’t even find "I", so she should talk about what to do. "people"?
Neither Camille nor Evita have no children.
If women are like the two of them, the world would have long since become extinct and perished-so don’t be afraid of anyone’s accusation of “what will happen if everyone is like you”, do what you want to do, go and go. The way, not everyone will be like you.
More of us are born and live, and we don’t know what we want, and we don’t move firmly in which direction. We tend to follow the trend and meet the situation. Sometimes we strive for but are doomed to fail. Follow the fate with both hands, go to school, work, get married, have children... occasionally make mistakes, overall stability, and walk a bland life path. It seems like many people, but in fact they have their own moods and know how warm and cold they are.
Perhaps, this is exactly the difference between legend and reality, film and life, between them and us.
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