Before watching it as a horror movie, after watching it, I think it shouldn’t be a horror movie; it should be said that the genre is an invention of Hollywood, which is also their patent; this movie is not strictly a genre, just like a good painting in a corner, The author is a person living alone in a small country. Although good, you can’t distinguish between impressionism and figuration, because it downplays the characteristics and impresses you in some places. It may be true, but it’s not just for your comment. Consumer goods, it is a work of art with a single soul.
This movie is full of loneliness and fatalism. With the two soundtracks in the beginning and the end (thinking of Hong Kong movies in the 1980s), it is easy to draw people into a gloomy mood. In the opening dream of the heroine, she dreamed of a golden egg floating in the vast universe, struggling in the golden egg; in a later dream, another golden egg ran into it. She is extremely insecure, and her love with him makes her feel lonely. It is not that he did not do well, but a kind of ordinary loneliness, which everyone has. The same goes for chemistry teachers. He is good at disguising, perfectionism (protagonist), and claustrophobic. The chemistry teacher is gradually lost in the watery life. He is a good wife in front of his wife, a good husband in the eyes of children, but his perfectionist heart and childhood trauma are the first before he jumps to save people. In an instant, it was released. Many things are just an instant, just like fate; an instant may become a devil, an instant may be broken into a fracture, an instant may be fascinated by a stranger, an instant may be buried alive by a liar. In fact, the chemistry teacher is very timid, especially for the male protagonist, who is completely timid. The ending is very classic. I think the most psychologically scary scene is the buried alive coffin, the kind of enclosed space that can only turn around, and the oxygen is thinned out in a few seconds, and it is extremely depressing. I think of the classic part of the movie in "Kill Bill", lying in the coffin waiting for death, and then punching through the top of the coffin with one punch and one punch. It can only be said that it was too unexpected. Ding Neng figured it out.
Finally, the actor lay in the coffin, and the lighter went out a little bit. He passed the last firelight, as if it was the end of the tunnel. A few hours before his girlfriend disappeared three years ago, he was facing the light. It was her in the sun. .
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