The three protagonists are really so handsome, but why are the supporting roles so unattractive? Especially the big search. . .
After watching for 50 minutes, I finally couldn't stand the Qiong Yao-style plot and the Korean drama-style plot development speed, so I finished watching the ending with the plot introduction. Indian song and dance movies have always been like this. The storyline can be told in one paragraph, but it can be expanded to two or three hours with song and dance. This is the characteristic of others, there is no good or bad in art, but my mood today is more suitable for watching some more plot movies, rather than to appreciate the beauty of Indian song and dance art.
However, in 50 minutes, the heroine's mother was humiliated in the wealthy and then fought back sharply. It was still very tense, and it was very enjoyable to watch.
There is also the ending. It is obvious that the director's careful design can be seen. The heroine ran toward the gate, leaving blood-red footprints on the ground, which subtly contrasted the scene when she was waiting for the hero to return at the beginning. The difference is that at the beginning, she pushed the doors one by one, filled with hope; at the end, she could only watch the door close mercilessly, filled with pain and despair.
However, at the beginning, the heroine used a white scarf to beat the flies, and then the hero saw the flies as his rivals catching the flies, which is really a bit ridiculous. Is this some Indian characteristic that I can't understand?
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