Kill kill kill kill kill kill very big!

Noelia 2022-01-07 15:54:18

The "Jubei Ninfu Post" produced in 1993 is a typical style of the early 90s. For people who do not like the old style of painting, the personal design alone may be enough to make them feel that they are not fashionable enough and not beautiful enough to give up this one. Animation, but "Jubei Ninfu Post" itself no longer belongs to any fashion or any dazzling, but has become a real classic worth marveling and commemorating. As he said when talking with neighbors: Gods can be included in the history of animation.
In my opinion, Yoshiaki Kawajiri’s animations should not be able to please the tastes of domestic audiences in Japan. His animations are American adult-oriented and non-house style. In fact, his overseas influence and popularity are indeed higher than those in Japan. Much bigger
"Jubei Ninfu Post" is actually an animation that does not require analysis of the plot and profound meaning. Empty the brain and immerse yourself in the era, conspiracy, thought, class, and even characters other than the protagonist are not important. Everything is everything. It is accidental, there is no inevitable connection, it is all for the interlocking rounds of fights. Strictly speaking, the film is weak and weak in the script. Although it makes people see it heartily, there is no deeper thing to taste and aftertaste. The standard is reflected in the high-quality production of violence, the bloody and wonderful fighting scenes, the gorgeous, rich and high-contrast pictures, and the editing of the footage, but an animation can be so good that people can make a scene. It has successfully achieved the mission of a violent film. Animation is a good animation.
"Beast Guards Ninfeng Post" has to use the vocabulary to describe "The Alien": rough and strong like a wind blowing
in the wilderness with sand and gravel . Animation in a relatively simple and rough setting. The background picture in is very sophisticated. If you observe carefully, you will find the texture of the floor, the tiny cracks on the wall, the ring hole on the moon, the change of light... all are very detailed and realistic.
It is worth mentioning. It is the high-contrast images in the animation. The most impressive is that the fight with a ninja in a house is processed into a strong black and red contrast. In addition to the visual impact, the psychology of people is also a kind of tension that oppresses the structural texture of the wooden house. The high contrast black and red contrast picture has a print effect, so it can be regarded as the most fierce and most ornamental fighting scene in the whole film.
The violent and bloody expressiveness in the film was quite staggering (and pornographic) at the time. Although it is not as maddening as "Death Madness", it can be regarded as shocking. Except for the heroine, Yang Yan is almost all dead. Tongues, eyes, stumps and blood gushing all over... I

have to say that the overall appearance of the Beast Guards and the appearance of the back reminds me of the involuntary mind of the idiot and serious samurai in "Arale". The hilarious pictures of the words, so when I wrote, I laughed frequently,

"If you guy can be resurrected, I will kill you many times!" This is my burning line

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Extended Reading
  • Garfield 2022-01-07 15:54:18

    The beast soldier guards the strong and supports the weak, not close to female sex, and at the same time not attached to power, it is the ultimate manifestation of chivalry. Yang Yan is the embodiment of dignity and love. She is not afraid of death, but she is afraid of losing her dignity. She is poisonous, but she has the cleanest heart. The flower of love between two people results in a dramatic treatment at the time of life and death, which also implies the danger and fragility of love. The temple is a clean place, no dirt and dirt can be hidden, but the monk is called Zhuoan, which also shows that the world is not peaceful and the temple is unclear. The whole story is full of the fateful colors of Buddhism: lustful people die from beauty, silent swords die from silent swords, fire-playing people die from flames, and those who try to use gold to dominate the world are submerged by gold, or die by themselves. The most proficient tricks, or die of what one desires the most. Gold and blood, beauty and swordsman, sword light and conspiracy, severed limbs and petals, many exotic elements are combined in a very ceremonial audiovisual segmentation, which firmly wraps the core of classical romantic tragedy, and finally achieves a transcending era The immortal classic. The lone samurai embarks on a new journey in the darkness, and only the wind can hear his voice.

  • Micheal 2022-01-07 15:54:18

    Kawajiri has the most vivid aesthetics of violence

Ninja Scroll quotes

  • [Kagero tries to stab Tessai with a hidden knife, but it breaks against his stone body]

    Tessai: Nice try. I'll get rid of this pesky insect, and then I'll kill you!

    [turns his attentions to Jubei]

    Tessai: What now? You regret not running away?

    [chuckles]

    Jubei: No. As a matter of fact, I've been thinking about... your body. It seems to me that... your body can't be as hard as rock all over, now, can it?

    [throws a knife into Tessai's eye; he and Kagero escape]

  • Jubei: [to himself, after defeating Mushizo] Reincarnation? He meant Gemma... Himuro Gemma has come back to life? That's absurd!