Kill kill kill kill kill kill very big!

Noelia 2022-01-07 15:54:18

The "Jubei Ninfu Post" produced in 1993 is a typical style of the early 90s. For people who do not like the old style of painting, the personal design alone may be enough to make them feel that they are not fashionable enough and not beautiful enough to give up this one. Animation, but "Jubei Ninfu Post" itself no longer belongs to any fashion or any dazzling, but has become a real classic worth marveling and commemorating. As he said when talking with neighbors: Gods can be included in the history of animation.
In my opinion, Yoshiaki Kawajiri’s animations should not be able to please the tastes of domestic audiences in Japan. His animations are American adult-oriented and non-house style. In fact, his overseas influence and popularity are indeed higher than those in Japan. Much bigger
"Jubei Ninfu Post" is actually an animation that does not require analysis of the plot and profound meaning. Empty the brain and immerse yourself in the era, conspiracy, thought, class, and even characters other than the protagonist are not important. Everything is everything. It is accidental, there is no inevitable connection, it is all for the interlocking rounds of fights. Strictly speaking, the film is weak and weak in the script. Although it makes people see it heartily, there is no deeper thing to taste and aftertaste. The standard is reflected in the high-quality production of violence, the bloody and wonderful fighting scenes, the gorgeous, rich and high-contrast pictures, and the editing of the footage, but an animation can be so good that people can make a scene. It has successfully achieved the mission of a violent film. Animation is a good animation.
"Beast Guards Ninfeng Post" has to use the vocabulary to describe "The Alien": rough and strong like a wind blowing
in the wilderness with sand and gravel . Animation in a relatively simple and rough setting. The background picture in is very sophisticated. If you observe carefully, you will find the texture of the floor, the tiny cracks on the wall, the ring hole on the moon, the change of light... all are very detailed and realistic.
It is worth mentioning. It is the high-contrast images in the animation. The most impressive is that the fight with a ninja in a house is processed into a strong black and red contrast. In addition to the visual impact, the psychology of people is also a kind of tension that oppresses the structural texture of the wooden house. The high contrast black and red contrast picture has a print effect, so it can be regarded as the most fierce and most ornamental fighting scene in the whole film.
The violent and bloody expressiveness in the film was quite staggering (and pornographic) at the time. Although it is not as maddening as "Death Madness", it can be regarded as shocking. Except for the heroine, Yang Yan is almost all dead. Tongues, eyes, stumps and blood gushing all over... I

have to say that the overall appearance of the Beast Guards and the appearance of the back reminds me of the involuntary mind of the idiot and serious samurai in "Arale". The hilarious pictures of the words, so when I wrote, I laughed frequently,

"If you guy can be resurrected, I will kill you many times!" This is my burning line

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Extended Reading

Ninja Scroll quotes

  • Jubei: I'll kill you yet!

    Lord Himuro Gemma: [reattaches his severed arm] No one can kill me. This - you, of all men - should know by now.

    [picks Jubei up]

    Lord Himuro Gemma: I have become immortal as a true demon.

    Jubei: Is that so?

    [repeatedly headbutts Gemma]

    Jubei: I swear if you... come back to life again, then I'll... kill you again, no matter how many times!

    [screams and delivers a final blow]

  • Yurimaru: Benisato... you mean the man Jubei Kibagami is the remnant of the government spies?

    Benisato: Possibly.

    Yurimaru: Why didn't you kill him?

    Benisato: Someone interfered.

    Yurimaru: No excuses accepted.

    [attempts to wrap a wire around her neck, but she catches it and it wraps around her arm]

    Yurimaru: If he is a government spy, he'll show up soon enough. Be sure to kill him next time.

    Benisato: I don't need your advice on that. If you don't mind, I'll tell Gemma in bed later on, Yurimaru. Do you mind?

    Yurimaru: [pulls the wire from Benisato's arm] Sleep well.