Dark room shimmer

Rashawn 2022-01-10 08:01:08

I really want to talk to someone about the movie, or something else. It is a switch type prequel again, connecting the first few parts together, the current flows, the overall plot is clear, and the sky is bright.

Out of empathy, I once again felt my heart gripped by the director and gradually pressured.

I don't know if it is such a horrible place, self-help is not yet possible. Will Wayne voluntarily enter the cube to save people for love at first sight. Don't dream, but this is really the greatest warmth in these three movies. In other words, it is the bug of the system, human nature, you say it is cold, but it is not completely cold. We all look up to the one-in-a-million probability, just as there is actually a one-in-ten-thousandth chance of every life coming into the world. When you’re young, it’s good to watch your dream there. Maybe it’s slowly cooling down. Maybe it’s like an unknown slow-release acid in the movie. The color of the water at first tricks you into destroying your whole body or it’s like a four-leaf clover. The seed, lurking, one day bursts out its greatest strength and flicks a small fist on your cheek.

If the first part is about human nature, I only see a lot of cruelty. If the second part is purely playing with knowledge of mathematics and physics, I see a group of hopeless people indulge in desperation. The third part, the prequel, focuses more on the description of the system and control, describing all the mice trapped in the fish tank. On the contrary, there is the warmest and only hope.

It's useless to sit and wait, it's useless to find a way out, even if you find an exit, it's useless. Think about all the mortars of life, whether they are similar. We just hope that time and our physical activities will bring about changes. Under the ridiculous watch of the boss behind and the trader, the punishment is certain regardless of the reason. It's like we abandon a city in order to forget a person, or jump out of our room in order to get the life we ​​dream of, and go to a country that we yearn for or dangerous or safe. What kind of proposition is this. If the BOSS does not give an exit, then the exit is just imagined by oneself.

Finally he said, this room is green, and I wanna go back to that blue room. Yes, go back go back go back.

Who can? Let him be with her again, even if it is a different-dimensional killing formation with many organs. She and her daughter flinched in the rain forest to look at the crumpled painting, like a dream but also real and illusion. For him, everything is cleared, there is no end, but it is a more difficult road. No longer for escape, no longer for survival. Even if a chip is implanted in the brain, even if only the corners of the memory are left. Think about the first movie he returned to the white exit for the second time, YES OR NO? The person who controls the buttons asked. If you answer believe and answer YES, will you survive?

If all these warrior actions are not to be praised, I want to say idiotically this is for love. In order to defend a mother's love for her daughter, but also to defend her love for her.

I never go to this kind of movie with a relaxed mind. The SAW series, the CUBE series, and even the Grim Reaper series will not be so ridiculous to tell stories. Drinking poison to quench thirst can only be seen in front of the player, looking at the light of one millionth, perhaps, it is just a glass window.

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Extended Reading
  • Winona 2022-03-27 09:01:14

    Cube Escape Room. I just watched the prequels without watching 1 or 2, great! ~

  • Clemmie 2022-04-21 09:02:57

    The example of the dog-tailed mink, sometimes trying to explain the metaphor of a blank work, but it is a kind of destruction. If there is no pearl and jade in the previous work, the tragic heroism and the setting of 1984 can be considered a success; however, the laissez-faire mechanism and the huge building without the master of the previous work subtly insinuate the horror of the collective unconscious, compared with the artificial control of this work. The agency is simply a failure, and clearly identifying the building as a death row laboratory also makes the concept narrow. The most unbearable thing is that the setting is tantamount to a cruel death sentence for the most promising scene of the first film, which is unacceptable. The figure drawn by the outline of the god is inevitable for mortals to think it is wonderful, but in the eyes of those who have actually seen the god, it is always a poor imitation that cannot be compared with the god.

Cube Zero quotes

  • Eric Wynn: One day, you're gonna wake up inside.

  • Eric Wynn: [Owen shows up at the exit point screen] But... he's one of us.

    Dodd: No. Once inside, he's one of them.