This is a surrealist satire. At the beginning of the film, a monologue framed the theme of the film must be related to the contemporary film industry. There are countless clues in the film that repeatedly hint at the symbolic meaning of each element in the film. The viewer has a telescope in his hand. This telescope seems to be omnipotent. After the tire leaves the garbage dump, the telescope can still clearly see every behavior of the tire. This is obviously unreasonable. The only explanation is that both the spectator and the telescope are symbolizing. After the tires killed the waitress in the film, the police chief (actually the director of the whole farce) immediately launched an investigation, but when he heard the chime of the watch, he immediately felt relieved and wanted to stop the investigation, just like the one just finished. Scene. This plot is a breakthrough to understand the connotation of the film. The director is acting, and the spectators are watching. The drama directed by the director is weird, bloody, pornographic (the heroine takes a bath) and absurd, the spectators are negative, indifferent, obscene and selfish, and full of curiosity. Therefore, in order to satisfy the curiosity of a few people, the director had to continue filming his weird, bloody and absurd scenes...All these are precisely the status quo of the contemporary film industry. The Hollywood sign that finally appeared on the distant mountains is a perfect satire not only for Hollywood, but also for the entire contemporary film industry, which is based on Hollywood's lead.
This film not only satirizes contemporary directors, but also satirizes those audiences who blindly chase fresh excitement in order to satisfy their own wretched psychology. There was a scene that made me think for a long time, that is, the little greasy attendant desperately tried to prevent the last spectator from continuing to watch, but the spectator looked at the binoculars with interest and said "I like that." We sometimes Isn't that the case? Just because we like it, movies will become more cruel and cruel. Is the audience ruining the director or the director ruining the audience? This is a question worth pondering.
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