There is always a reason

Marianna 2022-01-09 08:02:41

Some directors are not active in explaining anything, but they are obviously not the director. All the film techniques used, the motion of the movie machine, the light, what is displayed on the screen, and so on, have definite narrative reasons. Psychologically, The more interesting part, generally speaking, in a relationship, one party must "blind" in order to make the relationship survive. Due to the relationship with gender inequality, many directors such as Howard Hawks, the understanding of the relationship between men and women, usually deal with That's it. In this film, the relationship between the boy and the mother, the relationship between the boy and the woman when he grows up, the psychological meaning of "blindness", and the symbolic meaning are all clearly expressed, and this blindness is set. "It can be regarded as being promoted to the consistency of the humanity level, unifying the narrative reason and the symbolic level of meaning. Generally speaking, this is a very calculated film, calculated from a different angle, very accurate, old-fashioned Part, for example, after the operation, we can't see the faces of any characters, and it is also rationalized by the necessity of narration, and after integrating horror, suspense, and torture (films such as Funny Games), the focus of the film is retained to the psychological The part. Movies that are overly calculated are just a bit lacking in surprises.

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Extended Reading

Los ojos de Julia quotes

  • Isaac: Close your eyes.

    Julia Levin: [sighs] What?

    Isaac: Close your eyes.

    [Julia closes her eyes]

    Isaac: Can you see me?

    Julia Levin: Of course I can't

    Isaac: Then how do you know I'm still here with you?

    Julia Levin: Because I can ear you.

    Isaac: What if I remain silent? How do you know I'm still here?

    [Julia, still with her eyes closed, extends her arm to Isaac and touches his face]

    Julia Levin: I can touch you.

    Isaac: And can you smell me?

    Julia Levin: [touches his lips] And kiss you.

    [they kiss]

  • Créspulo: [to Julia, about the "Invisible Man"] Be careful. The man who was with your sister had very angry eyes. He knows how to be a shadow. If someone feels invisible and is angry at the world, he can be dangerous. He has no lights. Nobody looks at him. He could sneak up on you and before you realise...