2. If you insist on digging into the meaning of this film: audience = audience, police = director, tires = screenwriter!
In the industry chain of a movie, it is the screenwriter who really has the power to live and kill without being restricted by the established script.
The director can't wait for all the audience to die. If there is no audience, then the director can take a break, but as long as there is an audience watching, he has to go on filming. (In the film, the audience was given poison, and the critics represented by the uncle in the wheelchair gave opinions. The director did not execute but he had to listen.) But
why is the director so contradictory and so cheap? I said at the beginning of the film. There is no reason... …There is no reason for a good movie... I wonder if the director wants to express what he meant—the director loves and hates the audience.
The screenwriter doesn't need this burden, it's simply unbelievable, do what he wants, and hit anyone who wants to hit the head. And when the director no longer follows the established script (using a shotgun to blow the tire directly), who is hurt? Is the audience. The director has already made a splash!
Please note that the audience, the police, and the tires are still characters in the play except for their own accidents. In other words, everyone has the obligation to be an actor, so at this time, the tire representing the screenwriter can headshot the uncle in the wheelchair of the film critic.
Finally, the screenwriter takes over Hollywood!
3. As a viewer of this film, it is best to shut up after watching it. Those who have a way to find a way to beat the director is the right way. This guy is too obscure to our audience.
View more about Rubber reviews
