The Sweet Hereafter

D'angelo 2022-03-15 09:01:05

Probably the closest Igo Young to Lynch and PTA. The damaged school bus is a coffin enchanted by time, summoning a traumatic past time in the distorted metal frame. On the other hand, this kind of trauma may also be a possibility of returning to the past, at the cost of having to make others continue to retrospectively reconstruct. In the film, along with the Puritan-like lawyer's imagination of conspiracy theories, the typified "investigation" itself is disconnected from the writing of the group image of the small town. Therefore, two incidents occurred in the "past" where the film could not be further differentiated. Therefore, under the appearance of his "charity" is the deliberate dizziness of the incident. But Atum Igoyang did not create a similar narrative trajectory. On the contrary, in "Sweet Afterlife", with the onion narration of different characters, we can distinguish the two distinct textures of the image: for the lawyer, he either refuses to narrate, or he is condensing the image like an icon painting. The lieutenant consecrated the event, and the movement or rotation of the camera's ritual sense replaced the movement of the characters inside the screen, just as the film opened with an imaginary originality.

Adelbert 2022-03-25 09:01:15

I really can't make up my mind...