I met Jean Renault for the first time because of "This Killer Isn't Too Cold." At that time, I felt complicated for Jean Renault: such a rough man but such a delicate and intellectual acting... And in Luc Besson's producer, Gerhard In "WASABI Detective" directed by Korodozke, Jean Renault once again played such a role.
A 19-year-old man who can hardly forget his old love affair, and affirmed his identity with his feelings with an attitude of disbelief. After 19 years, he learned the news of his lover's death that year, and learned that he has a daughter and a $200 million inheritance... …After attending the funeral, the policeman played by Jean Reynolds and his daughter were involved in gang disputes (of course, the Japanese gang is extremely incompetent).
As a commercial soap film, the film was shot peacefully, unlike some of our country's "masterpieces" that made people drowsy or extremely angry.
In the film, Hirosue Ryoko speaks of a problem girl who is actually no problem at all. She fulfilled the needs of the role beautifully. At that time, she was extremely youthful, and there was a young girl's beauty in her smile. Standing with Jean Reynolds, it's unspeakable wit.
And Jean Reynolds... As mentioned earlier, he walks farther and farther away on the road of delicate and intellectual acting, gradually farther and more precise, with a powerful appearance corresponding to a cavity of sensual tenderness. If an actor has the so-called temperament, this is the temperament of Jean Reynolds, besides being just being intellectual, beside tenderness is a male.
Some directors only make one movie in their lifetime; some actors only play one role in their lifetime. Jean Renault is such an actor. This kind of temperament runs through his life, making each of his different roles a melancholy back with broad shoulders.
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