, but he has no chance to see the film because it is hard to find a dish
seen before volver not feel his 'good'
this time seeing this in the cinema, it is still not feeling
Maybe indeed, there is no feeling there is nothing. But I am really confused by the director's narrative techniques and style. So I hope I can get some tips and even education?
First of all, basically most movies are telling a story with a time period plan.
So, is this a love story? In other words, with a love story as the backbone? (I'm not trying to simplify this movie, I'm just trying to discuss it)
So why is the sex between the male protagonist and the female A at the beginning?
Generally, a movie starts with a small story that has nothing to do with the movie's main line. It is to introduce the protagonist's personality.
So if this story is about the love story between metro (harry) and Lena, what is in front of this? ?
And after Lena was pushed down the stairs by the boss’s husband, the director started to use a piece of very nervous music, I thought there would be some tension, and then Lena was really sent to the hospital ==
Then there was a set of x-ray pictures The shots aroused my interest again. As a result, Lena was just a bone fracture == and
so on. Many details in the film aroused my interest like clues, but the final reaction was just, ah~ this is it,
for example, the
beginning At the time, the male protagonist said how he created one more persona after treatment and had to live on the persona he created. I thought he was going to talk about collisions between personas, but
the two-line description with time stamping and emphasizing seemed very interesting. The result was unknowingly mixed during the storytelling and recalling of the metro.
And when Lena from 1992 was short of money due to his seriously ill father and heavy makeup was answering the phone on the sofa, I thought eh~~~, it turned out to be just a foreshadowing her boss had a crush on him for a long time
....
Of course, all of the above. I thought I could be blamed for my self-love,
but the whole story seems to me to be tension-free. I don’t know where the director’s point is,
as if he wants to say a little bit.
Besides, I don’t know Diego (hope it’s spelled correctly). Where is the character's point? In the end, it was his son who made the previous vampire script make sense, but so? ..... What does it have to do with the main story?
Moreover, the amazing relationship between Metro and Lena is also a bit inexplicable. It is hard to convince the director to leave the half-made movie behind only with love at first sight
~~~~
All in all, I was really inexplicable by him.
Please don’t say let me go to tutor this film or that film of his.
A good film does not need the support of sisters and sisters.
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