I really want to make a two-star.
Although I fully understand:
when a storyteller,
he puts the heaviest and most tangled thing in his heart, which may be the same motif or several motifs,
in various forms, after repeating it seven or eight times,
What he talks about again is often just the remnants and extensions of that thing.
After he finishes talking about the most inferior remaining materials, the effort he makes again
is often just a futile effort.
Usually, the value of such works can only be reflected in the perfection of the form and structure.
The art form may be more mature, but the thought is like a torn hole,
and the content of the story condensed by the thought will inevitably be flat.
But for the storyteller, there is no regret in life.
From this perspective, Almo can already say that there is nothing regrettable.
In addition, I think that when he tells this story, he
may have regretted a certain movie in his past, and he had
a certain origin of the idea.
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