Unexpectedly, the praiser would just stay on the screen, the appearance of the OST.
Unexpectedly, even Liang Wendao would come out to be satirical.
Not to mention that Miyazaki Goro's father would not look good.
A lyrical prose poem is thus overwhelmed by the mania of the masses and overwhelmed by the inertia of reason.
There is nothing wrong with the screenwriter, but it's not the mainstream style. Don't compare this film with the boasted fairy tale "The Wizard of Earth Sea". This is not a copy of the novel, but a transcendence.
This is a film with his own thinking. Miyazaki Goro will no longer be limited to his father's thinking about humans and nature, but also integrates the question of "who am I".
I don’t want Ghibli to keep copying the spirit of "Laputa in the Sky" and "Princess Mononoke". It is enough. When I see Hayao Miyazaki throw out another "Goldfish on the Cliff", I really Feeling enough, I want to see Ghibli can have its own new creation, new form, new thinking and new pursuit.
I want to see Miyazaki Goro resisting the pressure of the public and looking for his own spirit instead of passing on the traditions of the older generation. Only in this way can Ghibli have the meaning of survival.
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