There are two inseparable routines in the youth story, one is confusion, and the other is fun. (Of course, some people have started a struggle that is not commensurate with their responsibilities and strength, but I think this so-called struggle should also be classified as confusion, let’s call it a later confusion). These two themes are actually two directions of the same thing.
Those who write novels independently now, when talking about the text, they like to use those big words, such as lightness, abundance, and muddy sand. It is difficult to find support in this film. The characters here are stubborn, paranoid, and narrow-minded. The plot is monotonous and repetitive, and feedback is strengthened. There is no such thing as Xueye Mingzhou and his likes in the world, nor does Salinger have the kind of impermanence that Salinger wants to create. Every event is simpler and more direct, and every response corresponds to a simpler result as much as possible. The characters of Jamush never surpassed their own abilities, nor did they even show signs of summarizing themselves. They just do some harmless little moves in their own trajectory.
Because it's enough.
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