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Fantasia 2000

On the bus, I saw a cartoon character in the shape of Mickey Mouse waving his hands and rushing to the sky with a musical melody to disperse the dark clouds. It was so passionate and spectacular. I really want to see it.

When I came back, I found out that it was a small film that used anime and imagination to perform classical music. hehe.

Just now I was thinking that people’s performance of classical music seems to be through that kind of orchestra composition, where they usually play. How many people’s limited wisdom and infinite contributions have been put into these music. It always seems that His face was stiff and he couldn't get close. It seemed serious and rigorous, but after all, it was far away from the public, which made people feel that they couldn't get close to them at first glance. Besides, the pressure of life can no longer make many people truly devote themselves to one thing. In many cases, they are insincere, and the elements of performance surpass the natural interpretation.

Just change to cartoon characters, rich colors, vivid expressions, everything becomes natural, vivid, and imaginative. What do you think about the concept of Hayao Miyazaki's manga being turned into an adult version? Wow, it's turned into a parent-child, tvb, Korean drama, Japanese drama and other plot-like plots. . . .

Praise for the expressiveness and imagination of comics. Ha ha

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Bette Middler: Hi. You may not know this, but over the years, the Disney artists have cooked up dozens of ideas for new Fantasia segments. Some of them made it to the big screen this time. But others, lots of others - how could I put this politely - didn't. For example, the Danish illustrator Kay Nielsen drew these sketches for a segment inspired by Wagner's "Ride of the Valkyries." Here they are, and there they go. Now, Salvador Dali, you know, the "limp watches" guy, he got into the act with an idea that featured baseball as a metaphor for life. How come that didn't work? Makes perfect sense to me. Let's see. Then we had a bug ballet and a baby ballet and for a time, they even considered a sequence inspired by the Polka and the Fugue from Weinberger's "Schwanda the Bagpiper." But finally, a success. The Disney artists wanted to create a short film based on Hans Christian Andersen's wonderful fairy tale The Steadfast Tin Soldier, but they could never find the perfect musical match until now. Here is Yefim Bronfman playing the Shostakovich "Piano Concerto Number 2" and The Steadfast Tin Soldier.
Penn: [introducing "The Sorcerer's Apprentice"] Ladies and gentlemen, we'd like to take a moment, if we may, to talk about a little something we like to refer to as magic.

Teller: [finger quotes]

Penn: Uh, picture this. You're at home, hosting a birthday party for your daughter, and you've just shelled out 50 bucks so some pathetic loser can pull a mangy rabbit out of a flea market hat. At first, you might wonder to yourself, "How did he do that?" But then *you* would probably just dismiss it as some sort of a trick. And you know something? You'd be right! It's just a trick! It's an example of what we laughingly refer to as "stage magic." We're here to tell you that all stage magic is a fraud, a hoax, a sham. It's all based on deception and, yep, *lyin'*! All of it. Sleight of hand...

Teller: [pulling out cards]

Penn: Lies! Transformations?

Teller: [pulls out an axe]

Penn: Fraud! Dismemberment?

Teller: [cuts a fake hand]

Penn: Rip-off! Fake! All are illusions. What we're here to talk about is real magic. We're gonna bring out a guy now who's the real deal, the genuine article. In fact, he taught us everything we know. And he is featured prominently in the next sequence from the original Fantasia, "The Sorcerer's Apprentice." Y-You know, come to think of it, The Sorcerer's Apprentice is a - is, is a little guy who, uh - who never speaks and just kinda messes everything up...

Teller: [cuts Penn's hair]

Penn: [quietly] Like him. And now...

Teller: [interrupts Penn]

Penn: Wha - And now, the...

Teller: [pulls out a rabbit]

Penn: Oh. Hi. Hi, little fella. I gotta - I gotta - And now, "The Sorcerer's Apprentice."

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