Everything You Always Wanted to Know About Sex * But Were Afraid to Ask

Woody Allen tells you what counts as a truly qualified headline party. Use a headline that is highly rated, and then talk to people who are full of "expectations" about something that seems "unworthy of name". This will also make people happy. "Everything You Always Wanted to Know About Sex" is just like that. There is no exposure shot in the whole article, but it makes people happy from beginning to end. In the early 1970s, Woody Allen was in his prime of life, and his works were mostly comic comedies. His invincible imagination and unconcealed mockery of social rules had to be praised as a genius. Although the works during the period lacked a deeper level of self-consciousness compared with the later works, this vigorous energy has gradually been weakened with the change of thinking direction. From a certain perspective, it has to be regarded as a pity.
Woody Allen, who is able to direct and act in his own film, can be said to be commonplace. The cute eyebrows and orthodox clown face, combined with the mocking role, the effect is absolutely uncontrollable. Different from the common American spoofs that are full of vulgar and violent factors, the joy of "Everything You Always Wanted to Know About Sex" comes more from the cuteness of the film itself, which is slightly academic, and the flourishing imagination. The pink and tender rabbits crowded in the opening scene are an absolutely classic metaphor. Seven independent stories, Woody appeared in the first, third, sixth and seventh. Put aside all sexually explicit and hypocritical, only absurd narration. The iron crotch of the queen, the doctor who fell in love with the sheep, the woman suspected of being sexually cold, the old man who is transvestitious, the first four stories are still possible in reality, and the fifth one is based on sexual quirks. The talk show not only has audience interaction, but also has live imitation performances. The probability of being allowed in the real society is close to zero. The next two stories use Woody's crazy imagination to the extreme, a perverted sex scientist laboratory. The created big breasts that can walk around and kill with milk have already laughed over a group of people, and the last human body system that resembles a spaceship overturned the rest of the group. Woody played a small sperm face. The reluctantly cute expression is too awkward. In the story of the scientist, Woody said that it is better to keep some mystery about sex. In the last story, the brain system promptly uncovered the destruction called "morality" from the subconscious when the subject was not lifted. Molecules, instincts were released because of this, and their expressive intentions were bold and obvious and clever. The ending scene returned to the crowded rabbits, the cheerful and comfortable jazz sounded again, and I was satisfied.
Sometimes I think it’s necessary to deconstruct things like movies. Even if it’s just for entertainment, this movie is enough.

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