Fantasia 2000 Fantasia

Krystal 2022-09-11 08:40:41

Undoubtedly, a feast of sight and hearing, whether for adults or children. Right, this is what I call art.

1. Beethoven: Symphony No. 5 (Destiny)
Surreal picture, geometrical light and shadow changes, opening.
2. Lespici: The
whale of Pines of Rome , freed from the shackles of reality, free and elegant; alone, hesitating, sad, returning, family, love, group power, sublimation, immortality.
3. Gershwin: Rhapsody in Blue (Rhapsody in Blue)
urban life, New Yorker, tired dark circles, busy footsteps, crowded subway, running life; dreams, courage, the true meaning of life, regaining work A young man, a smiling black drummer, a husband who regained his self-esteem, and the love of mom and dad.
4. Shostakovich: Piano Concerto No. 2 (Piano Concerto No. 2, Allegro, Opus 102)
The story of the little tin soldier that I have been familiar with since childhood. The little prince has gone through thousands of dangers, saving his lover, and ending in a happy ending. Fantasy fairy tale love.
5. Saint-Saëns:
There is always an unruly and self-rebellious individual in the Carnival of the Animals group. Flamingos are born to dance, everyone is dancing hard, why do you want to play yo-yo? If you don't obey, everyone will punish you. Okay, just dance. In the dance queue, I am still the most conspicuous one. Personality is indelible. Personality is bestowed by God. Stick to your personality, go your own way, play your own yo-yo, and let them jump.
6. Duka: "The Sorcerer's Apprentice" (The Sorcerer's Apprentice)
Mickey comes on stage, the lazy kid opens the magical Pandora's box, intoxicated in a self-righteous dream, thinking that he can call the wind and rain, ruin the world, and wake up to find that he has caused a catastrophe. The aloof magician woke up and cleaned up the mess. Mickey now understands that it takes one step at a time to do things. Magic stuff, wait until you grow up to play.
7. Elgar: Pomp & Circumstance (Pomp & Circumstance)
Noah's Ark, Donald Duck's beautiful love. We have been missing each other, but in the fairy tale, when all the dust settles, I, you, will still appear in front of each other, just like the first encounter at that time. This is another kind of eternal love.
8. Stravinsky:
The favorite section of the Firebird Suite . The most touching section. The ending paragraph. The birth of life is full of happiness. But death is inevitable. But in the face of the embers after the catastrophe, full of devastation, efforts to waste, cry. There will also be miraculous green in the tears. This is the power of hope. Whenever hope is regained, the flowers will bloom again, the trees will be green again, and those who leave will return, as long as there is hope. This is the inevitable cycle of life.

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Extended Reading

Fantasia 2000 quotes

  • Bette Middler: Hi. You may not know this, but over the years, the Disney artists have cooked up dozens of ideas for new Fantasia segments. Some of them made it to the big screen this time. But others, lots of others - how could I put this politely - didn't. For example, the Danish illustrator Kay Nielsen drew these sketches for a segment inspired by Wagner's "Ride of the Valkyries." Here they are, and there they go. Now, Salvador Dali, you know, the "limp watches" guy, he got into the act with an idea that featured baseball as a metaphor for life. How come that didn't work? Makes perfect sense to me. Let's see. Then we had a bug ballet and a baby ballet and for a time, they even considered a sequence inspired by the Polka and the Fugue from Weinberger's "Schwanda the Bagpiper." But finally, a success. The Disney artists wanted to create a short film based on Hans Christian Andersen's wonderful fairy tale The Steadfast Tin Soldier, but they could never find the perfect musical match until now. Here is Yefim Bronfman playing the Shostakovich "Piano Concerto Number 2" and The Steadfast Tin Soldier.

  • Penn: [introducing "The Sorcerer's Apprentice"] Ladies and gentlemen, we'd like to take a moment, if we may, to talk about a little something we like to refer to as magic.

    Teller: [finger quotes]

    Penn: Uh, picture this. You're at home, hosting a birthday party for your daughter, and you've just shelled out 50 bucks so some pathetic loser can pull a mangy rabbit out of a flea market hat. At first, you might wonder to yourself, "How did he do that?" But then *you* would probably just dismiss it as some sort of a trick. And you know something? You'd be right! It's just a trick! It's an example of what we laughingly refer to as "stage magic." We're here to tell you that all stage magic is a fraud, a hoax, a sham. It's all based on deception and, yep, *lyin'*! All of it. Sleight of hand...

    Teller: [pulling out cards]

    Penn: Lies! Transformations?

    Teller: [pulls out an axe]

    Penn: Fraud! Dismemberment?

    Teller: [cuts a fake hand]

    Penn: Rip-off! Fake! All are illusions. What we're here to talk about is real magic. We're gonna bring out a guy now who's the real deal, the genuine article. In fact, he taught us everything we know. And he is featured prominently in the next sequence from the original Fantasia, "The Sorcerer's Apprentice." Y-You know, come to think of it, The Sorcerer's Apprentice is a - is, is a little guy who, uh - who never speaks and just kinda messes everything up...

    Teller: [cuts Penn's hair]

    Penn: [quietly] Like him. And now...

    Teller: [interrupts Penn]

    Penn: Wha - And now, the...

    Teller: [pulls out a rabbit]

    Penn: Oh. Hi. Hi, little fella. I gotta - I gotta - And now, "The Sorcerer's Apprentice."