I wonder, when did the banned film become a type of film?
Just like the so-called underground comics or independent comics, many people's attention is still on the words "underground" and "independent".
"Killing regardless of right or left" can be compared with the "School Storm 1984" that I watched a while ago, or that the latter inherits the core of the former, and integrates the bridge segments of "Warrior Gang" and some other classic b-level movies. Sound effects (the brawl under the bridge is a full tribute to the fighters, and the latest "Zombie Strippers" also pays tribute to the fighters. Beer bottles are put on three fingers, making a crisp sound and saying "little warrio" or something ), and the structure of Mel Gibson’s "Apocalypse" in the previous period is exactly the same as the two previously mentioned, blockbuster-shaped hard-core b-level films.
Continue the analogy between "The Murdering Part Around" and "School Storm 1984" (haha, some friends feel very disappointed because they found that the content of the latter is not like the cover of madmax)
The tone of the former is the Cipi era before the beginning of the punk wave in the 1970s, psychedelic Drugs and flower girls without a bra (the dead heroine is) abound, and the contradiction in the film is actually the contradiction between the middle class and the proletariat, just like the wealthy gang of Xiaokai after watching Jay Chou's concert pretended to be forced to go to Mao to watch Big Metal. The original screenplay depicted in the extravaganza seems to be more in line with the so-called banned film standards, including some shots in the stills that do not show professionalism in the film. But some are enough, they can be bitten off or something, there are chainsaws, and floating corpses on the lake, just like Xipi's Pre-Raphael paintings. The theme song of this film is also exactly as it should be Acide Rock. In fact, when I heard the opening song, the uncle got wet!
The tone of the latter is the 84 years of punk popularity, a mix of "Growing Troubles" and "King of Power", punk fruit, war bald, Cadillac, drugs; the same final teacher becomes a killer, and the punk quintet is one by one. wipe out. (I have been looking forward to a rock-and-roll college-style ending, especially when I play the piano.) Finally, the school becomes a hunting ground. During the school band’s performance, one by one hits the U-kill, chainsaw the windows, gasoline, and the car on the golden roof. , And finally the panoramic sunroof strangled. It's all fucking dead. Ugh... that's all right. You can understand the theme song "I Am the Future" by looking at the name, right.
Taking the knife with Sipe and punk, which led to the rape case after the movie ended. Popular culture, some people think that doing this is chic, really Sipe and punk.
It is worth mentioning that all the characters have a complete history, and they died in the end. There is no subjective intention to create a tragedy atmosphere, but it is really great.
The two films are not artificial, the spirit of the b film is essentially different from the heterochromatic art such as "Medullary Hell" or Terayama Xius, and the pure curiosity such as "Guinea Pig". It is sometimes confusing to walk as the author. .
Maybe it’s because likes are just as easy to get infected as the 1 laugh point is low. Every time you see a classic section, you get excited, just like the small differences in each performance of Guo Degang, or the drama of the same repertoire is willing to watch it every time. I like the aura and improvisation.
To reiterate, there really is no such kind of film ban. If any director said, "I just went to shoot the banned film." I think this must be a Chinese director.
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