Big city trivia

Shyann 2022-12-17 19:49:38

In "Fantasia 2000•Rhapsody in Blue", New York became a city outlined by lines, squares and skyscrapers became a rectangle with a single stroke, and the small lattices above were windows. What remains unchanged is the dense, busy, and bizarre city. The protagonists are four almost inconspicuous little characters-black construction workers who love to play drums, girls who have been deprived of their childhood by various classes, the unemployed, and rich men who are oppressed by their wives. Four people, four main lines, small things happened in big cities.

In the film, the characters have no language, no detailed expressions, and they rely solely on physical behavior and music to set off their emotions, which is a very novel form. The artistic exaggeration is also one of the highlights. Such as the section depicting the subway. The subway ride is not bumpy, and there is a scene in the film of the bumpy subway passengers, their expressions are numb, after the subway arrives at the station, they shake up and down without stopping, squeezed out of the station, into the office building, and take the elevator. This paragraph is absurd, but there is no lack of beauty, and it accurately illustrates the problem-showing the busy, mechanized rhythm of the city. There are many such fragments in the film, shining wisdom.

The role of the rich man is the most ridiculous. We can see that he is always put together with animals for comparison, the most obvious is his wife's pet dog. The wife held her pet dog carefully, followed by the rich man with his head drooping. Who is the pet? Who is the husband? The audience can tell at a glance. The film depicts the rich man using a lot of symbolism. Among them, there is a monkey charmer who is passing by the street. The rich man walks by and returns quickly to face the little monkey. If he meets a friend, he dances with him. It is funny and sad-being pulled by a rope. The monkey symbolizes the manipulated, without freedom, and is the epitome of the rich man at this moment. In the fantasy triggered by witnessing skating, the rich man saw himself dancing freely on the ice, even flying up, flying to the sky, with a group of flying birds. This is another obvious and profound symbol-freedom. Three animals are used to symbolically express the status and yearning of the characters, which is very clever. In addition, the film inadvertently exposed many social phenomena, such as the harshness of the construction site leader, the police's bullying, hypocrisy, and so on.

"Fantasia 2000" is a musical animation film made by Disney to pay tribute to the masters. Its purpose is "the picture serves the music." However, when watching this film, it is hard to imagine that there is music before the picture. George Gershwin's "Rhapsody in Blue" is more like a film soundtrack. Simple and vivid drawings, imaginative colors, witty storytelling techniques... These, plus a complete plot, are enough to constitute an attractive animation blockbuster, but its function is defined as "serving music." You can see Disney's intentions. The jazz style of "Rhapsody in Blue" combined with such a satirical and modern animation, the sparks that burst out are self-evident. For example, when a little girl participates in various study classes, as the melody rises and the speed increases, the girl’s schedule also becomes popular. The exaggerated and humorous performances in different study classes and the performance of different kinds of musical instruments are seamless and wonderful. . In addition, when the four people were skating in their fantasy, the music was also exciting, which made the audience and listeners excited and even moved by the beauty of their dreams. Art should not only convey a certain form and technique, but also convey emotion. This is where the charm of art lies. In "Rhapsody in Blue", you can fully feel the charm of art: music and pictures have surpassed the original form, merged into one, and achieved emotional unity. Although they are not so elegant, they give people an extremely beautiful enjoyment.

The four protagonists were originally completely unconnected, and in the city, each had their own misery. At the end, it was arranged to be integrated. As mentioned above, when the four people inadvertently saw the beautiful and comfortable skating at the same time, they opened their own imaginations. The construction workers imagined that they had become an incredible drummer and were unemployed. The reader got a wonderful time card, the girl spent a relaxing and warm time with her parents, and the rich man was free. These are just illusions. However, things have changed a lot from this. Dramatically, each of them immediately realized their dreams. This arrangement is unavoidable. Therefore, I think this ending is rich in romanticism, more like a continuation of their respective fantasy, rather than reality, echoing the title of "Rhapsody in Blue".

I think another reason why the ending is not like reality is also one of the themes that this movie wants to convey, that is, reflection on city life. If you look closely at these four characters, you will find that rich people are not as good as dogs-lack of humanitarianism; construction workers are hesitating-giving up the pursuit of dreams in order to make a living; and little girls and the unemployed are even more obvious. , Respectively represent extremely fierce competition and economic depression. These are the ills of modern life, and not the persecution it brings to people. Is the developed one completely good? The seemingly relaxed film raises such a serious question for people to think about. If resonating with the audience is the success of a movie, then "Rhapsody in Blue" is excellent. For example, as a student, I can find my shadow in a girl. Going back to the question just now, can these four characters really realize their dreams? You know how difficult it is to chase your dreams and enjoy a relaxed life in this city. Things will never end. The little things in the big city are not only the four of them, but also yours and mine. They are the little things that disturb everyone in the city. (February 2007)

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Extended Reading

Fantasia 2000 quotes

  • Bette Middler: Hi. You may not know this, but over the years, the Disney artists have cooked up dozens of ideas for new Fantasia segments. Some of them made it to the big screen this time. But others, lots of others - how could I put this politely - didn't. For example, the Danish illustrator Kay Nielsen drew these sketches for a segment inspired by Wagner's "Ride of the Valkyries." Here they are, and there they go. Now, Salvador Dali, you know, the "limp watches" guy, he got into the act with an idea that featured baseball as a metaphor for life. How come that didn't work? Makes perfect sense to me. Let's see. Then we had a bug ballet and a baby ballet and for a time, they even considered a sequence inspired by the Polka and the Fugue from Weinberger's "Schwanda the Bagpiper." But finally, a success. The Disney artists wanted to create a short film based on Hans Christian Andersen's wonderful fairy tale The Steadfast Tin Soldier, but they could never find the perfect musical match until now. Here is Yefim Bronfman playing the Shostakovich "Piano Concerto Number 2" and The Steadfast Tin Soldier.

  • Penn: [introducing "The Sorcerer's Apprentice"] Ladies and gentlemen, we'd like to take a moment, if we may, to talk about a little something we like to refer to as magic.

    Teller: [finger quotes]

    Penn: Uh, picture this. You're at home, hosting a birthday party for your daughter, and you've just shelled out 50 bucks so some pathetic loser can pull a mangy rabbit out of a flea market hat. At first, you might wonder to yourself, "How did he do that?" But then *you* would probably just dismiss it as some sort of a trick. And you know something? You'd be right! It's just a trick! It's an example of what we laughingly refer to as "stage magic." We're here to tell you that all stage magic is a fraud, a hoax, a sham. It's all based on deception and, yep, *lyin'*! All of it. Sleight of hand...

    Teller: [pulling out cards]

    Penn: Lies! Transformations?

    Teller: [pulls out an axe]

    Penn: Fraud! Dismemberment?

    Teller: [cuts a fake hand]

    Penn: Rip-off! Fake! All are illusions. What we're here to talk about is real magic. We're gonna bring out a guy now who's the real deal, the genuine article. In fact, he taught us everything we know. And he is featured prominently in the next sequence from the original Fantasia, "The Sorcerer's Apprentice." Y-You know, come to think of it, The Sorcerer's Apprentice is a - is, is a little guy who, uh - who never speaks and just kinda messes everything up...

    Teller: [cuts Penn's hair]

    Penn: [quietly] Like him. And now...

    Teller: [interrupts Penn]

    Penn: Wha - And now, the...

    Teller: [pulls out a rabbit]

    Penn: Oh. Hi. Hi, little fella. I gotta - I gotta - And now, "The Sorcerer's Apprentice."