The spring breeze by the pillow is blowing the truth to the ears

Blaze 2022-11-10 04:48:24

The Majestic March Rhapsody series uses classical music as the starting point of the animation narrative and emotion. It is very skillful to write the rhythm of the plot development in the rhythm of the music, and at the same time assume the responsibility of the theme. At this point, "The Sorcerer's Apprentice" is indeed unsurpassed. But Disney’s most attractive to me is not the story, but the philosophical thinking of the universe expressed by simple natural creatures, one flower, one world, and guarding the laws of the world as small as a glass bead under the magnificent narrative of classical music. The "Firebird Suite", which symbolizes the ebb and flow of life and the changes of the four seasons, has undoubtedly done it, and the "Roman Pine", which symbolizes family affection and growth, and the pursuit of the other shore, is not bad. A huge school of whales shuttles gracefully among the clouds, their body is as light and free as the floating dandelions, and the icy blue sea water rushes through the highest peak of the iceberg wrapped in the icy blue water, leaving the eye-catching white lonely in the night sky; like broken The goddess, who was curled up on the ground like a plaster, tremblingly touched the antlers lowered to her, tears gave birth to clusters of new buds on the ground. After her rebirth, she rushed to the mountain with vitality...I saw all this. It is spiritual, clean and pure, without the slightest adult world self-interest or utilitarian fantasies deliberately seeking liberation. Instead, it uses the most ignorant children to mirror the sky and clouds of all things in the world. After reading it, I feel like swimming in a clear spring without swimming goggles in summer. In contrast, although "Animal Carnival" also starts from a kind of animal, it is too concrete. The play between flamingos is interesting but unpretentious, and its relationship with the outside world is missing. The concise and flexible natural beauty adds value to the joy of humorous crowds. Using the interaction between flamingos as a megaphone, what you hear is the sound of gongs and drums of interaction between people. "Piano Concerto No. 2", "Rhapsody in Blue" and "Awe-inspiring March" are all more storytelling, so they will be told together. The first song is in line with Disney’s usual style and is very closely related to music, but the story is a bit old-fashioned, following the story of the Nutcracker, and does not bring forth the new; the second song, the focus is on the United States during the Great Depression, privately thought The social criticality is too strong, and the philosophical beauty is lacking, and the complaints and irony of adults are too strong; the third song is too strong, and the animation does not fit the music in many ways, and the love story of Donald Duck and Daisy The stories interspersed in Noah's Ark are not only clichés, they are also nondescript, the content is less than the form, and it is not "awe-inspiring" enough. "The Fifth Symphony" is beautiful, but the theme is too clear and lacks a subtle beauty that is not easy to ponder. Fortunately, the picture is simple and atmospheric. Only a personal point of view, may be picking the bones in the egg. What shocked me the most was 1 The Tchaikovsky piece in the 940 Rhapsody. The 19-minute experience is like an illusion, not at all boring, and the technology is not inferior to the 2000 version. Chai blowing ecstasy~

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Extended Reading

Fantasia 2000 quotes

  • James Earl Jones: [introducing the Carnival of the Animals] These drawing boards have been the birthplace of some of the most beloved animal characters of all time. So it's no surprise that they choose for our next segment, "The Carnival of the Animals" by Camille Saint-Saëns. Here the sensitive strains of impressionistic music combine with the subtle artistry of the animator to finally answer that age old question: "What is man's relationship to nature?"

    [is handed a piece of paper]

    James Earl Jones: Oh, sorry... That age old question: "What would happen if you gave a yo-yo to a flock of flamingos?"

    [turns to look off-camera]

    James Earl Jones: Who wrote this?

  • Mickey Mouse: Mr. Levine! Okay, Mr. Levine, everybody's in place for the next number.

    James Levine: Thanks, Mickey. When...

    Mickey Mouse: But we can't find Donald. So you stay here and stall for time, and I'll be right back.

    [Exits]

    Mickey Mouse: [Offstage] Donald! Oh Donald!

    James Levine: When we hear Sir Edward Elgar's "Pomp and Circumstance" we think of a graduation ceremony.

    Mickey Mouse: Donald, where are ya?

    James Levine: Actually, Elgar composed it for many kinds of solemn events.

    Mickey Mouse: Donald!

    James Levine: This march inspired the Disney artists to recreate the age old story...

    Mickey Mouse: Donald, are you hiding in...

    Daisy Duck: Aaaah!

    Mickey Mouse: Oh, sorry, Daisy!

    James Levine: ...of Noah's Ark, with one slight twist.

    Mickey Mouse: [Knocking on door] Oh, Donald Duck!

    Donald Duck: Who is it?

    [Mickey and Donald's shadows are projected against a panel; Donald is in the shower]

    Mickey Mouse: Donald, it's me, Mickey. You're on in 30 seconds, hurry.

    Donald Duck: What? You gotta be kidding! I'm not even dressed...

    [Mumbles angrily as he leaves the tub]

    Mickey Mouse: [Peeking behind a wall] Psst! Okay, Jim. He's on his way. Go to the intro.

    James Levine: Ladies and gentlemen, "Pomp and Circumstance," starring Donald Duck.