This quirky, eccentric and imaginative movie comes from the French movie geek Jean-Pierre Jeunet. According to the comments, this is his consistent style of shooting and the style that has made him successful. Those characters and things that are extraordinary, even with fairy tales and weird colors, as well as things that exceed normal people's thinking and imagination, are this guy's preference. I saw this movie for the first time when I was in college. The most direct feeling about it is that the Chinese translation of this movie is very different. It should have belonged to the angel Amy, but this translation really has a double feeling: an angel in the world. Emily fell in love with beauty, ha ha. Later, I watched it no less than 4 times. I found that the characteristic details of the civilian-like Rococo of this movie are simply unparalleled: small, exquisite, jumping, delicate, singular, full of life, and a sense of fairy tale color. Rococo art began in the interior decoration of the Louis XV era in France, striving to break the Baroque's overly serious and pretentious style at that time, and strive to pretend the details of a chic, compact, delicate and gentle, elegant, lively and vibrant effect. In the later period, art, painting, construction, sculpture, clothing, daily life, and even etiquette were greatly affected. Politically speaking, it is more like an evolution of aristocracy and civilianization. Emily is like a Rococo angel in the mortal world to a serious and lonely Baroque crowd, and a way to bring comfort and joy to a group of lonely and not good at expressing people. The movie completely showed me an exhibition hall of Rococo art in the French populace era. The four Rococo-style exhibition halls in the exhibition hall: The scene arrangement and design of the small and exquisite rhythm movie are extremely jumping, the interpretation from Emery's birth (is it very like playing a science film with Chaplin-style humor), Go to Little Amy and quickly eat a strawberry on ten fingers, a goldfish can exaggerately cause an outbreak of family emotions, or retaliate against the neighbor and pull the antenna when the opponent is watching a game, and even because of the lack of caress, the father is Her heart beats faster when she gets closer; as an adult, Emily always cares about things that others don’t pay attention to, such as observing bugs in the corners of the screen when watching a movie, reading countless people’s climax scenes on the balcony, and she likes to go to the river to play alone. Drifting (her goldfish was also solved by releasing them in the river) and so on. From the world of Emily, the audience follows her steps in the rhythm of the film jumping, discovering the taste of life and searching for the meaning of life. It's both joking and relaxing. The delicately designed and warm-hearted scenes in the movies are often interspersed: the landlord’s wife weeps with joy when she receives the forged love letter, and the late old man sees his childhood toy baby and returns to the family, for two bored and sick people in Paris pubs Threading the needle and editing the videotape for the old man painting, my father saw the pictures of the puppet traveling and finally walked out of the bottom to see the world. Even the shop owner’s design was aimed at equal care for the weak. From the sudden whim, to bringing warmth to everyone around me, those angelic thoughts not only brought warmth to the film, but also made the film colorful and completely blocked the audience's attention. Strange fairy tale colors The entire plot design is like a child's fairy tale, both beautiful and brisk, but the princess of the fairy tale must always be redeemed by the prince. So there is a prince who has such a peculiar hobby who collects bad ID photos. He made our angel's heart beat faster to the speed of his childhood to his father. So love is looking for and being sought, hesitating and courage make its debut. The tacit understanding of those hiding, meeting and returning the album design. The canvas of French romanticism is heavily colored. I can't help thinking of those paintings "Diana Out of the Bath" and "Swing" all tell us about the beauty of life and flesh, as well as the joy of harmony. Silent but full of anger, Emily’s voice is always very small, hardly wanting to be heard, but the very low voice makes me feel that she always wants to express a very open feeling, and people are eager to surpass nothing. Of life entrusted to. The puppets were taken to many places by the stewardess friends, and then the photos were sent back. Finally, the silent father went out to travel. Movies always hope to make silent people smile and walk in relief. It is hard for me to forget this scene: Emily dated her boyfriend out of curiosity, but made an exaggerated and funny expression when the other party worked hard to love (the unique ingenuity of Director My Han). The keen insight of Confucianism is constantly letting his angels visit and create those meaningful and emotional moments. Those who originated from the real and ordinary life, but were given by him like Rococo lace. The details make the whole film meticulous and moving, highlighting the appeal of French romantic films. Make the film more warm and delicate. Under the exaggerated romanticism of the whole film, it looks like the tone of a comedy, but it is actually not a laughable film. Many people who have communication barriers in the film cannot develop a new page independently in their lives. People can't communicate, yet they are so eager to be noticed and cared for, lack courage, and often have a sense of frustration that is difficult to express. The ending given to them by the angels in the Confucian movie is ideal, while Emery is ideal. But every ordinary person in life can become Emily, an angel to himself and those around him. This idea makes me feel more warm. Just like the old man who painted Reano finally gave our angel encouragement-people who are afraid of love and giving will never get what they want.
View more about Amélie reviews
