Recommended reason: This movie is so good that it doesn't matter anywhere, it's just good. Title: "Lust, Caution" Director: Ang Lee Starring: Tony Leung, Tang Wei, Chen Chong, Leehom Wang, He Saifei Awards: Golden Lion Award at the 64th Venice Film Festival Production Date: 2007 Reading Home: The singer-songwriter in Stone Garden made a big splash for "Lust, Caution", although what I saw was only a clean version. The same is the movie about tens of thousands of styles in Shanghai. The mistake of "Eternal Regret" is that it uses a Taigang school of Zheng Xiuwen. It's not that Sammi is not good, she just doesn't fit in. In the same way, Ang Li declined Zhang Ziyi's application for the role of Wang Jiazhi, on the grounds that she "does not look like a person doing this kind of thing", and there is some great wisdom here. Zhang is bright and strong but not ambiguous, decisive but not tactful. It is true that she is Yujiaolong, but if she is Wang Jiazhi, I am afraid she is the first one to believe it. Frankly speaking, Wang Jiazhi's actor, Tang Wei, is not beautiful, and he is not as good as Chen Chong and He Saifei who are acting on stage in terms of the beauty of his posture and the beauty of his facial features. But her advantage is that she stands in front of you with a woman all over her body, where the simplicity lies, and the complexity lies here. May I ask, what else in this world is more unpredictable than a woman who is tempted? I don't think there will be any. I still remember that the cover of the "Sanlian Life Weekly" in September this year was Wang Jiazhi's prototype Zheng Pingru. The "Assassination Case" was such a sensation that Zhang Ailing couldn't help feeling agitated after hearing it. But this Zheng Pingru was born so charming, and has such a pair of smiling eyes. Among those who write things, Gu Long really understands women. He said that the beauty of women lies in their style, which is considered to be a point. So don't look down on anyone who is a charming bone. In fact, the so-called charming bone is not something that everyone can grow. Let’s talk about women first, and come back to movies. The story tells that the assassin fell in love with his prey. In the battle of murder and love, he let him escape with a benevolence, leaving her to pay her life for her dark, humble, and forced love. There are others. However, this is purely a woman's matter, and has nothing to do with family hatred. For women, love is a war in full swing, in which some people get rid of their necks and slaughter, some people are left behind. This is the case in any era. Zhang Ailing's original work is so good that I can hardly quote it. It’s the phrase on the cover of Huang Biyun’s "No Ai Ji" that fits here, “Why do people have feelings, and feelings are so entangled, in this unresolvable entanglement, everyone is involuntary” . Oh, really, why do people have feelings? Wang Jiazhi and Mr. Yi, two people, the heart is the kind of desire, the eyes are the love seedlings, and they hook up between the dinner table. In the beginning, they were nothing more than prey of the other party, who had to sacrifice for each other's dark thoughts, but in the end, someone recognized it. It turned out that the corners of the eyebrows were not a misunderstanding. Gu Hongming should have said, the way to the woman's heart is through the vagina. In Zhang Ailing's original work, there is absolutely no scene where Wang Jiazhi sang "The End of the World Singing Girl" for Mr. Yi. She is much colder than Li Ang. Zhang Ailing’s Wang Jiazhi does not smoke either. But Li Ang wanted her to smoke and had the intention to smoke. I don't know how many emotions are in it before the fire is gone, and there is no need to say anything. It is important to mention Wei Tsai's performance. I heard that he played Mr. Yi up to the point of "upper body". This time I believed it at first sight on the screen. Such a role, such an actor, is impossible without the upper body, it must be. I was very moved by that scene-after Mr. Yi escaped, Wang Jiazhi walked out of the jewelry store and came to the road, completely confused. I got on a tricycle. The driver was very young and smart. A three-color windmill was inserted into the handlebar, and it turned around in the evening breeze. She also asked her "Are you going home?" She replied naturally. Hey," the corners of his mouth curled up when he said, like a smile. Ang Li always has this kind of feminine, unobtrusive strength, which is almost internally hurt. Like the two shirts hanging in the closet at the end of "Brokeback Mountain", I shed tears every time I see it, as if my tear duct switch is installed in this scene, but in fact they are just two shirts. In recent days, when talking about "Lust and Caution", some people always mentioned Bai Liusu and Fan Liuyuan in "Love in the Allure", but I think of "Agarwood Crumbs•The First Incense" more. Inside, Weilong said to Qiao Qi, "I love you, what does it matter to you? There are so many strange things, and you can't be blamed on you." Why didn't Wang Jiazhi treat Mr. Yi like this? Her affection was as heavy as a mountain, so why did she have to do with him? Zhang Ailing has never lacked such a man in her works. Love is not worthy of his attention. Only being alive is the most important thing. But in the end he had to endure Wang Jiazhi's feelings, but in fact it was not to endure. It was just a little sore and comforting when he thought of her again-there was a woman who loved him this way, and he almost killed her by himself. Lead the knife into a fast, live up to the young head. The poem is very good, but it is not the poet Wang Jingwei who really practiced it, nor the Kwong Yumin who quoted the poem, but the young woman Wang Jiazhi. Anyway, she spared her life and fell in love, you know, in such a troubled world where poverty and sickness were inflicted, she did such a luxurious thing. 2007-11-4 No need to say anything. It is important to mention Wei Tsai's performance. I heard that he played Mr. Yi up to the point of "upper body". This time I believed it at first sight on the screen. Such a role, such an actor, is impossible without the upper body, it must be. I was very moved by that scene-after Mr. Yi escaped, Wang Jiazhi walked out of the jewelry store and came to the road, completely confused. I got on a tricycle. The driver was very young and smart. A three-color windmill was inserted into the handlebar, and it turned around in the evening breeze. She also asked her "Are you going home?" She replied naturally. Hey," the corners of his mouth curled up when he said, like a smile. Ang Li always has this kind of feminine, unobtrusive strength, which is almost internally hurt. Like the two shirts hanging in the closet at the end of "Brokeback Mountain", I shed tears every time I see it, as if my tear duct switch is installed in this scene, but in fact they are just two shirts. In recent days, when talking about "Lust and Caution", some people always mentioned Bai Liusu and Fan Liuyuan in "Love in the Allure", but I think of "Agarwood Crumbs•The First Incense" more. Inside, Weilong said to Qiao Qi, "I love you, what does it matter to you? There are so many strange things, and you can't be blamed on you." Why didn't Wang Jiazhi treat Mr. Yi like this? Her affection was as heavy as a mountain, so why did she have to do with him? Zhang Ailing has never lacked such a man in her works. Love is not worthy of his attention. Only being alive is the most important thing. But in the end he had to endure Wang Jiazhi's feelings, but in fact it was not to endure. It was just a little sore and comforting when he thought of her again-there was a woman who loved him this way, and he almost killed her by himself. Lead the knife into a fast, live up to the young head. The poem is very good, but it is not the poet Wang Jingwei who really practiced it, nor the Kwong Yumin who quoted the poem, but the young woman Wang Jiazhi. Anyway, she spared her life and fell in love, you know, in such a troubled world where poverty and sickness were inflicted, she did such a luxurious thing. 2007-11-4 No need to say anything. It is important to mention Wei Tsai's performance. I heard that he played Mr. Yi up to the point of "upper body". This time I believed it at first sight on the screen. Such a role, such an actor, is impossible without the upper body, it must be. I was very moved by that scene-after Mr. Yi escaped, Wang Jiazhi walked out of the jewelry store and came to the road, completely confused. I got on a tricycle. The driver was very young and smart. A three-color windmill was inserted into the handlebar, and it turned around in the evening breeze. She also asked her "Are you going home?" She replied naturally. Hey," the corners of his mouth curled up when he said, like a smile. Ang Li always has this kind of feminine, unobtrusive strength, which is almost internally hurt. Like the two shirts hanging in the closet at the end of "Brokeback Mountain", I shed tears every time I see it, as if my tear duct switch is installed in this scene, but in fact they are just two shirts. In recent days, when talking about "Lust and Caution", some people always mentioned Bai Liusu and Fan Liuyuan in "Love in the Allure", but I think of "Agarwood Crumbs•The First Incense" more. Inside, Weilong said to Qiao Qi, "I love you, what does it matter to you? There are so many strange things, and you can't be blamed on you." Why didn't Wang Jiazhi treat Mr. Yi like this? Her affection was as heavy as a mountain, so why did she have to do with him? Zhang Ailing has never lacked such a man in her works. Love is not worthy of his attention. Only being alive is the most important thing. But in the end he had to endure Wang Jiazhi's feelings, but in fact it was not to endure. It was just a little sore and comforting when he thought of her again-there was a woman who loved him this way, and he almost killed her by himself. Lead the knife into a fast, live up to the young head. The poem is very good, but it is not the poet Wang Jingwei who really practiced it, nor the Kwong Yumin who quoted the poem, but the young woman Wang Jiazhi. Anyway, she spared her life and fell in love, you know, in such a troubled world where poverty and sickness were inflicted, she did such a luxurious thing. 2007-11-4 To make people suffer internal injuries. Like the two shirts hanging in the closet at the end of "Brokeback Mountain", I shed tears every time I see it, as if my tear duct switch is installed in this scene, but in fact they are just two shirts. In recent days, when talking about "Lust and Caution", some people always mentioned Bai Liusu and Fan Liuyuan in "Love in the Allure", but I think of "Agarwood Crumbs•The First Incense" more. Inside, Weilong said to Qiao Qi, "I love you, what does it matter to you? There are so many strange things, and you can't be blamed on you." Why didn't Wang Jiazhi treat Mr. Yi like this? Her affection was as heavy as a mountain, so why did she have to do with him? Zhang Ailing has never lacked such a man in her works. Love is not worthy of his attention. Only being alive is the most important thing. But in the end he had to endure Wang Jiazhi's feelings, but in fact it was not to endure. It was just a little sore and comforting when he thought of her again-there was a woman who loved him this way, and he almost killed her by himself. Lead the knife into a fast, live up to the young head. The poem is very good, but it is not the poet Wang Jingwei who really practiced it, nor the Kwong Yumin who quoted the poem, but the young woman Wang Jiazhi. Anyway, she spared her life and fell in love, you know, in such a troubled world where poverty and sickness were inflicted, she did such a luxurious thing. 2007-11-4 To make people suffer internal injuries. Like the two shirts hanging in the closet at the end of "Brokeback Mountain", I shed tears every time I see it, as if my tear duct switch is installed in this scene, but in fact they are just two shirts. In recent days, when talking about "Lust and Caution", some people always mentioned Bai Liusu and Fan Liuyuan in "Love in the Allure", but I think of "Agarwood Crumbs•The First Incense" more. Inside, Weilong said to Qiao Qi, "I love you, what does it matter to you? There are so many strange things, and you can't be blamed on you." Why didn't Wang Jiazhi treat Mr. Yi like this? Her affection was as heavy as a mountain, so why did she have to do with him? Zhang Ailing has never lacked such a man in her works. Love is not worthy of his attention. Only being alive is the most important thing. But in the end he had to endure Wang Jiazhi's feelings, but in fact it was not to endure. It was just a little sore and comforting when he thought of her again-there was a woman who loved him this way, and he almost killed her by himself. Lead the knife into a fast, live up to the young head. The poem is very good, but it is not the poet Wang Jingwei who really practiced it, nor the Kwong Yumin who quoted the poem, but the young woman Wang Jiazhi. Anyway, she spared her life and fell in love, you know, in such a troubled world where poverty and sickness were inflicted, she did such a luxurious thing. 2007-11-4
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