↑ The implication is: I gave BVS five stars, my taste may be different from most viewers (but I have a friend who said that according to the BVS standard, this film should have a negative score. In fact, she said something reasonable). Just take a look at it and don't take it too seriously. How to go to the theater in person will know. Don’t change your decision just because of other people’s comments.
Not Believe Everything you Hear the Do, Son.
- known entrepreneurs, Gotham model citizen, Martha, son of Bruce Wayne, 2016
***
by You do not own Me, the I'm not the Just One of your MANY Toys.
You I have not, I'm not your plaything of many a
you do not own me. do not say I can not go with other boys
you do not own me, do not say I can not go out and play with the other boys
do not tell me what to do
do not tell me what to what to do
And do not tell me what to say
do not educate me what to say
Please, when I go out with you
when I went shopping with you
Don '
Please, don’t treat me like an item
. "Independent female characters" illusion, and the clown may be one of the villains of this game. In the familiar setting, Halle is the clown's vassal and victim, and she is a trembling M in this sadistic "love". The Joker never cared about her, after all, his character was just a single arrow Batman. If this movie with Halle as the heroine makes her self-consciously awaken and break free from the shackles, no longer center on the clown, free to fly from now on, forget about the bad ex[REDACTED] and Gotham girls Lily[/REDACTED], that is Excellent, not only makes people who like her happy, but also has the depth of "resisting slavery and control", and by the way, it has set off a feminist craze.
However, we think too much.
There is a way to heaven, you don’t go, and there is no way to go to hell. The screenwriter gave up this route and started with the clown in a different way. It changed the raw materials and made the clown into a handsome punk evil maniac criminal youth leader-my fingers were trembling when I typed this sentence. The clown in the movie is not sick at all, and the degree of badness seems to be just an average criminal. At the same time, it also has the attributes of the overbearing president of the sentimental true love, Hallie, who breaks through the barriers for love, and she often crosses people’s knees and kisses them. . I assume that there is no clown fan wishing that this bereaved fellow has a true love line (some perverts would hope that if there is one you know who), and no Halle fan wishing that she would continue to spend time using her lunatic. However, the ugliness of this universe is really a couple in the criminal world! For the personal fans of both parties, this is undoubtedly feeding poison, after all, this is not a role they know at all! But the target audience of the screenwriter is not them. The screenwriter pleases the passers-by who think they are so cool, beautiful, sweet and badass. Leto previously said that this clown was a "misunderstood sweetheart", and the effect caused was that the original party poisoned passers-by and felt super cute. To be honest, the film cuts this sadomasochism into a pretty convincing way (a ghost). It is understandable that passers-by who have not been exposed to the raw materials are ugly, but the original party's madness is also very worthy of understanding. Such fans published it. Will be strangled to death.
So far, Aye has already "negative points" in the audience who agrees with the original character. And having Halle as the heroine who is not emotionally independent but has a high fashion value, at least made my interest greatly reduced.
This is not a reason for me to give it less than four stars. It’s just a pity that he gave up a good opportunity to improve his depth and chose a particularly unthankful adaptation route, which may have created the most OOC clown. My personal disappointment is that the overall quality of the film is very ordinary. After experiencing BVS oil painting shots, shocking soundtracks, incredible depth, heart-pounding action scenes, and tragic and poignant climaxes, everything in SS looks so rough and ordinary, just like any mediocre [YOU KNOW WHAT] movie. It is simply to get rid of the essence and choose the dross. They took a lot of effort to make it alternative, cult and full of black humor. The specific way of expression is to seamlessly switch the BGM produced by various big brands, and use the population to describe how bad the team members are on any possible occasion.
However, the problem is that these BGMs are sometimes out of date and make people look awkward. It is obvious that the golden songs are forcibly skewered. I can understand the necessity of using the singer's reputation for promotion, but all original soundtracks should be based on the story and rhythm, and resonate with the audience's emotions, instead of forcing the audience to adapt, and switching is as fast as a channel change. The final effect is that any single released is particularly interesting, but in the film it seems to be more or less contradictory.
The "badness" of the members is not reflected in their behavior, so they only become "talking"-Halle just dances pole dancing and goes out with her boyfriend; the captain of the boomerang is a normal emigration by virtue of technology. Criminal; Death Shot is an assassin who loves his daughter. This is not a black spot in the eyes of the audience. It is justified! And Smith has a righteous face, making people never realize that this is a bad guy; the crocodile is so cute and straightforward that people want to complain about animal abuse by the US government; even though Diablo has killed a household register, he has been confessing in the dark, very pitiful; the witch It was forced out by the arrogant humans (by mistake), so she couldn't push the pot to her at all; Slipknot was going to shoot a trilogy, and played for 30 seconds-so the foundation of this group of people is not black enough. But considering that the lead Superman and Batman are not considered heroes by the film critics and have been spurned, Warner may have shaken this wave of film critics. But what you want to shoot is the bad guys! It's not so bad! You are bad guys, it's what you do!
The villain that was supposed to focus on is Amanda Waller: at a high position, powerful, cruel, and unscrupulous, he will definitely be able to crush Lex Luther in this universe, a well-deserved movie universe The best villain, and this villain is still alive and will live forever. When the team meets Waller, it's just a small baffle. I want to sing "Sweet Dreams" to the team.
There is a detail in the film that the US government agreed to Waller to form a task force, not for the reason of "protecting humans from being harmed by superpowers", but the witches received a copy of their coveted military intelligence in half a second. If you follow the plot in this direction, emphasize this line, and bluntly render Waller and the government out of reach, then this melancholy tone and colorful BGM show will have a sharper contrast and the degree of depression will reach the standard. However, all the "bad" in this edition is now on the surface, appearing fancy, superficial and excessively hard. A slightly better treatment may be to expose the relationship between Rick Flag and June Moone after the death shot discovery file. Let's sell the villain's release first. Halfway through the plot, we will tell us that the culprit is Waller's arrogance, and Waller has used Rick Flag mercilessly. This way the audience will not be impatient with God's perspective.
The current problem is to try hard to cool Edgy but the effect is average, the "fun" part is a little deliberate, and the black part can be called hastily, perfectly avoiding all the places that can be digging deeply. Like all the animations of DC after the flash point. It's like a work that didn't let go of hands and feet, and all parties compromised. However, even if there is a legendary guide-cut version, the Ugly-Ha line will probably remain unchanged, and the rhythm of the film and the BGM of the mashup will remain the same, so there is not much expectation.
It's a shame to have a good hand and the result is mediocre, especially when compared with the expectations brought by the trailer. The character's own attributes are one of the few bright spots. What makes me happy is also some places that are not deliberately designed to be laughable. For example, the dead shot of the IQ town field reacted to the death of Flag and they didn't live, so they desperately protected the team leader in the action. Flag was dragged away twice, but he shot and shouted to rescue him. He also called on everyone to rescue him. Finally, he surrounded the leader in the middle-then the leader will be the mascot from now on. The leader sent a large stack of letters from his daughter to the dead shot and carried it close to me. I don't know if I should be embarrassed or smile knowingly, but I seem to understand something (DeadFlag). It was shameless that the witch and Hallie had a fight and kicked Hallie's lower body. I really like the flashback paragraphs of the dead shooting mission, super loading and super fan. The appearances of Batman and Flash were so handsome that they were instantly paralyzed. The katana is all Japanese, exotic, but unfortunately the pupil changes in the trailer are not in the main film, liar! The captain of the boomerang is just funny, probably because the screenwriter dislikes the pony party and doesn't want to give him too much drama. Unfortunately, because of the ugly line and dead shot as the center, other characters are more or less not so bright, and their potential has not been fully tapped. Maybe these can only be seen in the solo movies of the respective heroes.
The bad reviews of this work are not incomprehensible, but if you take the [YOU KNOW WHAT] movie as the standard, it makes no sense. No matter how bad it is, it will not be uglier than XX2, XXX3. Of course, according to the BVS standard, it is quite general. In the future, like BVS or the Watcher or SuckerPunch, you can let the fans see the plot, see the Easter eggs, see the details, and metaphors, continue to watch the plot + think about life, and let all parties argue about humanity and divinity, what is justice and what a hero There are probably no movies about whether Batman is a villain, why Superman doesn’t laugh, and why the people are so easily manipulated. The charm of the suicide squad was originally to use the unique means of bad guys to break through the rules to solve the problem, rather than a normal task and finally forcibly turned into chicken soup. Audiences don’t want Zachsnyder, they want “fun”, “bright”, and heroic comics (Halley used the word “friend” in the end, and the slow motion of throwing bombs seemed so ridiculous), So what you get is this.
A work of [YOU KNOW WHAT] that does not match the previous publicity. A beautiful lie.
ps.
*If this bat Solo shoots under the red barrel, then this clown beats Jason Todd violently, I don't believe it.
*It would be a shame if the film really bowed its head to this audience because of Warner's adjustment strategy. I hope Warner will delegate the power to the director.
*Bonus clips after the subtitles are really simple and rude. A director tried to insert it into the movie, but the audience even thought it was "forced" and "stiff", ughhhhh.
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