There are no Indians, no deserts, small towns and streets, no railroads, but the revenge cowboy is a villain, allowing the audience to understand that the villain, cowboys and beauties only dance and shake hands without embracing the beauties...belonging to the barbaric era of cowboys and homesteaders The conflict of values in the age of living and working in peace and contentment is not easy for old cowboys. Westerns that have three-dimensionally shaped the role of the villain...the pattern is very big, nostalgia and remembrance of an era, but also recognizes the reality, does not indulge in it, and admits that the waves of the Yangtze River push forward the waves The rules of Western movies are more in-depth, and the ending call is quite moving... It's a relationship that is only courteous. The little boy's father also feels a little bit of courtesy, as if he wants to entrust his wife and children to Sean... The ending is still a routine. Sean killed all the old cowboys who belonged to his class in a very violent way. The beauty was not caught, and he left alone and injured. In fact, he was a tragic character. His arrival also made people feel that he was very Melancholy, this is indeed different from the chic cowboys of "Guanshan Feidu"... The death of the cowboy is uncertain... The little boy's actor died when he was only 30 years old... The photography is good, the villain sits at the golden ratio point. I can’t help but make me think about the changes in film language. What makes the film language now and the classic era have such a sense of separation. I even lament the French New Wave’s daring to engage in it. There is a very interesting scene. After everyone dances, I took a shot of a little girl standing and getting a skirt. The time is not short. This shot is not narrative, but expresses a kind of atmosphere. The appearance of this shot in classic Hollywood films with narrative makes me feel very much. Strange, is it a prelude to the change in the language of the movie... I sighed that Americans still don’t know the people’s war. When a group of residents watched as they were dead, they hugged a Stuart to let him go. Is it really a lone hero?
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