In the first five episodes, I have always felt that the shooting was great except for the part where the agents perform the mission. The mission seems a bit too idealistic and simplified, but 30% of all shots are given to those around Cohen, from the boss to the family. My wife, I can see that the screenwriter’s different thinking about the special profession of “spy” (and also inspired me), made me look at “secret agent” as an “ordinary person” for the first time. The protagonist who can’t hang up like an orange climax comes to the sixth episode. After many years of undercover, Cohen has a chance to not go back after completing the intelligence mission. But the choice is obviously not what he can make for himself. He has become alienated. The role he was going to play in other countries can no longer return to his original life. There is a trace of PTSD in the post-Vietnam War film in the United States. It is worth mentioning that in the end I knew that Cohen would be exposed. I didn’t have the courage to face him. During the capture, the camera was opened and paused several times. Finally, I chose 1.33x speed and mute to speed up. After watching that part, I realized that this is the most basic and most important skill of an agent: excellent psychological quality, and those spirits. Guan Yixian's ideas and exquisite props are often just icing on the cake and are circulated in various media articles and large and small film and television dramas. After all, agents are also humans. This perspective has allowed me to test myself steadily. Once from this perspective, the selective downplay of the "technical" things in the execution of tasks makes sense. .
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