I couldn't fall asleep late at night, and then I thought about my thoughts on the movies I watched recently. The evaluation of sweetness and humbleness has changed 180 degrees. The hero is not self-righteous. It is that he has a feeling of dependence, which is addictive and can never be quit. He was not taken care of during his childhood, and his independent and free growth made him a great artist now. It is precisely because he realized how good it is to not need people when he was young, and he understands that the real artist is to maximize the self-magnification. So he regards everyone in his life as a passer-by. He doesn't care about feelings and disdains to stop by anyone who has given him love. He is just experiencing himself in these people, searching for things he doesn't know. Until Heidi appeared, he still thought it was just one of his hurried travels in life. She can't speak, all expressions are only in her expressions and movements. He can only observe her by mind, so when the spirit is in harmony, he forgot to leave, so he naturally depends on it. But time told him that the time had come, it was time to leave her. He left and met Xinhuan, but he found that she would still appear in his subconscious, which was a terrible and unforgivable thing. He chose the formal stability he had never chosen to remove her traces, but he couldn't do it. After all, Xinhuan was just a passer-by, she had never had real contact with him. He went back to Heidi in despair. He lost. He would rather lose than be tortured by crazy addiction. He knew that his art could no longer be pure, and he could only be the second guitarist in the world forever. But what? How can you care about Lang's concubine's affection in matters of love in the world? Heidi is not an artist, and the love she yearns for is so simple and satisfying. When he left, that relationship really couldn't hold back.
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