2. I didn't know before, but I just learned that "Japanese directors are masters of storytelling" (obviously Iwai has the obligation to emigrate). Kurosawa verified this with no shame. The full two hours and 18 minutes of the film tells a simple story of a group of people fleeing with gold. There are not too many suspenses and twists, but I watched it not very depressed. This already reflects the director's narrative ability. The film revolves around two clues: one is the problem of the way out of the two displaced farmers, and the other is that the subjugated general protects the princess from fleeing. The two lines are combined in a solemn and humorous way. The tragedy of the subjugated general and the princess, and the benevolence and justice of saving orphans are of course depressed and solemn. The two farmers are greedy, stupid, and constantly making small ideas but accidentally unsuccessful. The plot also eases the plot. It was dull and stabilized the audience's ass sitting in front of the screen. There is no need to be ashamed of a director who can control the plot in this way to be called a master.
Three, actors. The beard and face of the general who played the general was Mifune Toshiro, a queen actor of Akira Kurosawa. His signature face frequently appeared in Akira Kurosawa's movies, and he won many international awards for himself and the director. I guess it’s not easy for Kurosawa to find such a righteous face.
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