do you like me now?

Nathan 2022-01-10 08:01:08

After searching for a long time,
finishing down,
and waiting for a long time,
finally, I gathered up the courage to watch.

I just watched it once and I
still haven't fully understood the movie.
Maybe,
I don’t understand if I read it a few more times.

Because it is real.
Because, Johnny Depp.

After
reading such a story, it makes people breathe deeply,
too heavy.

At the end of the film, Johnny Depp asked again and again in the dimness:
do you like me now?
do you like me now?
do you like me now?
do you like me...now...

and then gradually fade away, the
shiny goblet,
neurotic
His fingers, the ring on the little finger, the
white lantern sleeves... the
sad soprano, the
sad piano... the sore

nose.

A great work.

As I said, Johnny Depp is a charming man,
a strange man, and
there will never be a second one in the world.
In front of Johnny Depp,
Jude Law, Orlando Bloom and even Bred Pitt's beautiful faces
were pale.
Because
their eyes are still their own,
They just use their own face to play another person's face.
And Johnny Depp
uses his soul, eyes, and body
to see himself as another person,
he is that person.
Oh, I shouldn't have compared these people to him.
One of his hands, one of his shots, one of
his eyes, and even every strand of his hair.
He has retreated to Johnny Depp.

You can't see the scars on his face, the
scissor hands, the
exaggerated white face, the
manic character,
accomplishing nothing,
or the almost unrecognizable face devastated by syphilis erythema,
anything.
No matter how he is, he is
still
the man who expresses himself with his eyes, different eyes, talking
.

Needless to say, his movies can only be known by watching them.
No need to be fanatical, his charm will never be comparable

View more about The Libertine reviews

Extended Reading

The Libertine quotes

  • Rochester: You are one of life's understudies!

  • Harris: [calls to him onstage] My lord!

    Rochester: I asked for no interruption.

    Harris: My suit is one of the utmost urgency: the stage direction at the end of this scene requires, in my opinion, some authorial exposition.

    Rochester: It seems straightforward enough.

    Harris: Yes, um,

    [reading from the script]

    Harris: "Then dance six naked men and women, the men doing obedience to the women's cunts, kissing and touching them often, the women in like manner to the men's pricks, kissing and dandling their cods and then fall to fucking, after which the women sigh and the men look simple and so sneak off." The end of the second act.

    Rochester: A strong scene, an eminently playable scene, and though I say it myself, a climactic one.

    Harris: And w-will the kind of equipment that that young lady has in her hand

    [a large wooden dildo]

    Harris: be available for gentlemen for... strapping around the middle for the execution of this scene?

    Rochester: I had not envisioned you to be so encumbered; I feel this scene should be given... in the flesh.

    Harris: And will we give... two performances on the day?

    Rochester: No, Mr. Harris.

    Harris: [relieved] I am glad to hear that from the author.

    Rochester: With the dress rehearsal, the court performance and the public showing, I envisage three.

    Harris: Right; I don't know if you've met my regular understudy, Mr. Lightman, he's a most dependable fellow.

    Rochester: Sir, you have the honour of playing *my* understudy.

    Harris: [cross] Well, I shall take this opportunity to withdraw from the engagement.

    [he leaves]

    Rochester: [calls after him angrily] You are one of *life's* understudies!