I watched this cat 5 times over and over again, and I think it is a wearer.
From the first shot, Meow is near the shoulder of the road, almost facing the vertical road of a T-shaped intersection. Regardless of the factor of the T-shaped intersection, from other shots, Syria was driving on the right at that time, and Meow was just beside the road. It can be seen from the direction of the front of the car that it was sitting and standing forward along the road.
Judging from the cat's eyes, the team came head-on, that is to say, the cat and the team existed in the forward direction of the road. At this time, if the cat next to Luya saw a large group coming from the opposite side, how could he hide in the middle of the road?
I read it five times and checked it.
Maybe you should be killed if you watch the show like this.
In fact, this drama is so good that after watching the fifth episode, I dared not open the sixth episode for a long time. Cohen does have his own in history, so the end of this play has already been explained in the first episode, and the protagonist is going to die.
However, this kind of whispering rhythm makes people feel uncomfortable, as if living a double life with the male protagonist, with feelings, for fear that something will happen to him.
Today I opened the sixth episode and saw halfway through it. I saw him wearing a suit and returning to Syria, so I quit the app and didn’t watch it. I’m not ready yet.
It may be that people are getting old and their ability to bear them has declined. Watching Shakespeare’s love history is also afraid of lovers breaking up, so I dare not finish reading it.
Here, let's talk about the exaggeration of ideology.
NF's play is always based on Western values.
Therefore, in the play, it is always necessary to "unconsciously" show the ignorance, vulgarity, and cruelty of Syria. For example, crowds poured into the streets to watch the so-called Israeli soldiers who died tragically. One by one looks like a jackal, the jackal in the Lion King is disgusting and despised. For example, someone immediately explained to Cohen that the burned corpse was actually a Syrian soldier, just to create an illusion of victory to blind the bloodthirsty people. For another example, when visiting the Syrian barracks, the Syrian army commander’s hypocritical and brutal face and asked Cohen to shoot Israeli civilians, although in the end it was just a test.
What about Israel? Except for the endless extraction of Agent No. 88, completely overriding the individual's right to life, there is nothing wrong with it. Besides, there are so many good people in the organization. Even the poor Israelis who sent letters to the Israeli army for Cohen were so calm and brave.
Ideology is the biggest bug in literary and artistic works.
It's not impossible to have.
After all, art knows no borders, and artists do.
But even the films that reflect the years when our country was slaughtered by the Japanese army did not deliberately vilify the Japanese civilians. On the contrary, in a large number of literary and artistic works, we tolerantly and selflessly sympathize with the innocent people who have suffered heavy losses due to the war, and collide with more sparks of human civilization.
I think this should be a true universal value and a true ideological height.
Why is China great? Why should the United States emphasize that it is great again, because they are indeed a little willful now, a little too much emphasis on themselves. As for us, our own philosophical system and moral system tell us literary and art workers that everything belongs to the people, history belongs to the people, and literature and art belong to the people. Only with such values can we create truly great works.
There can be ideologies, but they cannot go beyond the scope of the people's historical outlook. Otherwise, no matter how good the work is, it will only make people feel that the fate of the protagonist is bumpy and the spirit is great. It does not identify with the country in the work, nor does it identify with the country in which the work is written.
I am not a very calm person, and I am also a bit extreme. Sometimes I really hope that the four islands of Japan will sink.
However, I am very fortunate that none of the domestic works I saw vilified the Japanese people, but were full of infinite sympathy for the common destiny of mankind.
I once asked someone around me a question, if your enemy falls into a well, will you save him?
I think, no matter how many times this question is in your mind, when you are on the scene, everyone will reach out.
Cohen, if it is a good drama, he should also extend his hands to the Syrian people, rather than cast a scornful look.
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