Dynamic she is more beautiful than static, she is truly beautiful.
Talking softly is very feminine and very comfortable.
This movie sounds ambiguous and middle-aged crisis. Xiao Yang's "Sage of Love" in the early years is also a similar theme. But "The Seven Year Itch" 1955 handled it more implicitly, and most of the cleansing was just the imagination of the male protagonist.
What I want to say is that Monroe is too beautiful in it, so pure and lustful, it is hard to have Cui Xueli. What she wants is the ultimate body full of female sexual attraction (perfect drop-shaped breast shape), purely because she knows that she has a weapon in her body, but she doesn't take it. "The temptation of the 1950s is more ambiguous and fictional. It's like Monroe was standing on the balcony to dry her hair, and said to Tom Iver, "I ice my underwear in the refrigerator, so it's cooler." "The weather is too bad." It was hot. I soaked in the bathtub overnight yesterday, but the iron faucet was leaking drop by drop and it was too noisy, so I plugged it in with my toe. "The expression is relaxed and playful, and her speech is as soft as a cat. She is really only expressing the literal meaning, not any hint.
Sexy but not romantic, beautiful and measured. Who said no brain, she just used a relaxed and not serious tone in the play to express her persistence.
Not sexy
Then it seems that "Enthusiasm is Like Fire" 1959. Four years later, Monroe's fatigue is fully manifested in the movie, and there is no longer a spirit of joy, which is related to her complicated life experience. Phase is born from the heart.
I really like the seven-year itch. It is also very good as a dynamic portrait of Monroe.
Stunners are gifts from heaven to mankind. But for the owner, this gift does not have good wisdom to control, and it is more dangerous than ordinary women.
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