I lava you

Erna 2021-10-19 09:53:07

It seems that I saw the introduction that this animation has some psychoanalysis (abbreviated as: fine analysis), but I am very interested in how it is finely divided.

Its introduction and transition are arranged concisely and exquisitely, and it has not been trapped in the narcissistic quagmire of "Look, I made up a great story." Different aspects of personality, happiness, sorrow, anger, hurt PIA, and hate it. They exist in everyone's cerebellum from the beginning. When we opened our eyes, they also started to work. The personification of personality is a lovely setting. It is much more interesting than the personality theory that is used to memorize so many textbooks. The appearance of every little person is so natural.

I would say that the film’s fineness may be based on the following points:
1. The visualization of different personalities;
2. The world trapped in the unconscious (where the clown stays);
3. The memory preservation form, ordinary Memory, core memory, unwanted memory, unconscious memory... But

these points are not so refined. The first point is the field of personality and emotional cognition. I remember that when I was bored and tested the waters in the first year, I reported it. This direction. The third one is studied by people who specialize in memory. The second one seems to be very precise, but it just simply talks about the place where we put the deep stuff.

The real focus of this movie lies outside the unconscious park. We don't accept our grief and cowardice, but we grow up in it. What you want to become is not the perfect person in your imagination, but the receptive acceptance of incompleteness.

How many people, like me, sneered so little when they were crying in Riley class. Are you crying? But I hum so much, not because of Riley's cowardice, but because I don't allow myself to do such a behavior under such circumstances. When we trap ourselves in the perfect image we imagined, we will only be disappointed.

I don’t think it’s simply telling a story with two sides. The golden ball will turn into a blue ball. More like a philosophical school said, we have a certain core thing, our different personalities are like the different light reflected by the light shining on it. For example, our strengths and weaknesses come from the same thing.

Perhaps in Riley, happiness is the first one to appear, but in other people, the dominant one is indeed sad and hate other people. How to accept the self that we don't like, to put it in a nutshell, is the homework of growing up and becoming the whole self.

BTW, Bing Bong, I lava you. The

great thing about Pixar is that it is not for sensational plots, compared to last year's popular animation that specifically incited you. It tells the story of intent completely and ingeniously, allowing the audience to react to the plot as they should. So when I watched it, I couldn't help but shed tears in the last minute, but laughed again in the next minute. You can even really feel their love for this story and this world.

It starts when the love is strong, and it is beautiful, and it ends with the fragrance of the warm sun in the blue waves.

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Extended Reading

Inside Out quotes

  • Jangles: Who's the birthday girl?

    [Fear screams like a little girl and faints]

  • Bing Bong: We're taking the Train of Thought.

    Joy: The Train! Of course. That is so much faster, but how do we catch it?

    Bing Bong: Well, it kind of goes all over the place.